Culture & Art

Celebration of Arts

Thursday, November 19th, 2009

Celebration of Arts

 

This acrylic painting, done by Molokai artist Linda Johnston, captures the Molokai band Na Ohana Hoaloha during one of their weekly performances at Coffees of Hawaii. Johnston first decided to paint the musicians of Molokai ten years ago. This particular painting took three weeks to complete the actual painting. The original three foot by two foot painting is currently on display at Coffees and Na Ohana used the image as a cover for their recently released debut DVD titled “Pretty Old for Our First Time,” produced by Aka`ula School. Johnston’s work can be found for sale at the Molokai Artist’s and Crafter’s Guild in Kaunakakai and on her websites  www.molokai-art-hawaii.com and www.stdamienofmolokai.net.

Playing Games in Naiwa – Part 1

Thursday, November 19th, 2009

Playing Games in Naiwa – Part 1

This story about Naiwa was originally written in 1921 in the Hawaiian language newspaper, Kuokua in three increments. In 1952 an English version of the story showed up in the newspaper Ka Leo O Molokai, written by Molly Reppun. Another version can be found in the private collections of Marsha Camera. It tells us a lot about the makahiki, the places and some of the customs from a time period right before Kamehameha’s wars.

The story begins in Waikolu. Our main character lives there with his extended family and his wahine. A grandfather begins to tell all the residents to get ready for the upcoming games to be played in Kalae. He says, he still has strength in his old bones and if friends and family bet on his skills, they will have many “goods” to carry home on their backs. Our hero decides to stay home with his “Niihau basket,” or woman, rather than to travel with the group. When the group returns, they are laden with wealth from the games.

The next time the grandfather gathers the men together, our hero decides to join them. But some of the women are sly in their comments about how dressed up some of the men are. This creates some anxiety in our hero who reassures everyone that he has only one woman in his heart. The men talk among themselves about creating a delay in their trip which they believe will stress out our hero. They agree to stay at a house an extra night in Kalaupapa to gather a bigger group before going up the pali to Kalae.

In the prelude to the games, the story’s details of the people, the place names and metaphors are amazing. The area of Kalae was ruled by two “good” chiefs. What made them good? They did not engage in war and burden the people with it. Instead, these two got along quite well and as a result hosted the games. The author tells us that story takes place during the time of “our grandfathers” and before foreign food, “Kahaolekaukau”.

This time the grandfather gives his walking stick to another and instructs the group to remember to carry the god with them when they travel. They gather from Waikolu, Wailau, Pelekunu and Halawa before climbing the cliffs. Others travel from as far away as Kaana with its lehua. The iwa birds soar above as they reach their destination. The famous and well known chant, “Aia Molokai Kuuiwa” first appears in this tale.

Before the games, there is ceremony and speeches. And the master of ceremonies invites the young men to enjoy the dancing of the young women. He highlights who is considered the best dancer for that season. And our hero forgets completely about home in all the excitement of the festivities. Which is exactly what the men in their mischief had planned when they tarried an extra night in Kalaupapa.

As a new day dawns, the crowds begin to compete with riches being exchanged while betting on different champions. Our hero's group, like others, wins and looses throughout the day. There is so much betting that items go from group to group occasionally returning to their original owners.


In our next episode we will learn more about the two weeks our hero remains away from home in Kalae.

Island to Island

Wednesday, November 18th, 2009

Island to Island

With a flourish of feathers and face paint, a Pacific cultural group called Ariw Poenipan performed for the Molokai community last week. The group hails from the Torres Strait Islands between Australia and Papua New Guinea. Known for their authentic cultural performances, theirs is an oral culture preserved through passing on stories, traditions, music and dance. Molokai got to see a glimpse of this in front of the Public Library. Pictured above, dancers display the elaborate, hand-made headdresses and “dance machines” they are famous for. The props are not only cultural significant, but assist the dancer keep rhythm as they manipulate the moving parts, creating sound effects.


To illustrate that the challenges they face in the Torres Strait are similar to those encountered globally, leader Jeff Aniba-Waia explained that because of global warming, many of their low-lying islands are in danger from rising water levels. The group’s name, Ariw Poenipan, refers to the electrifying lightening that pierces the rain, and the echoing thunder of the monsoon season.

KP2 Heads to Temporary Home in California

Wednesday, November 18th, 2009

KP2 Heads to Temporary Home in California

NOAA News Release

NOAA Fisheries Service announced plans to move KP2, the monk seal abandoned at birth, to a temporary facility at the University of California at Santa Cruz some time next week.  During a recent medical examination, it was discovered that KP2 has cataracts that prevent him from being released back into the wild.  He will undergo bilateral cataract surgery while in California.  NOAA Fisheries Service plans to return KP2 back to Hawaii as soon as a permanent facility can be built for him and perhaps other unreleasable seals in Hawaii.

Since the day he was born, KP2 has been an ambassador for monk seals and has brought attention to the critically endangered monk seal population.  NOAA Fisheries and the Waikiki Aquarium are facilitating a private native Hawaiian blessing to send KP2 on his way.  KP2 has touched the hearts of many and we look forward to his return to Hawaii as soon as possible.

A native Hawaiian blessing will be conducted on Wednesday, November 18 at 12:15 p.m. on the front lawn of Waikiki Aquarium. David Schofield, NOAA official, Dr. Andrew Rossiter, Waikiki Aquarium, Walter Ritte, Molokai resident, and other cultural representatives from Molokai will be on hand for the blessing.

Due to quarantine concerns, the native Hawaiian blessing will be held in private.

 

Get Up, Stand Up

Monday, November 16th, 2009

Get Up, Stand Up

Standup paddling is one of the fastest growing sports in the world today – “faster than anything we’ve ever seen in the water sports industry – ever,” said Jim Hayes, owner of Tropical Blends, a custom surfboard shop in Honolulu.

Standup paddling is known by many names – in Hawaiian, ‘Ku Hoe He`e Nalu,’ meaning to stand, to paddle, to surf a wave; in the industry, the acronym SUP (for Stand Up Paddling); and in the 1960s, the fathers of standup paddling were known as the Beach Boys of Waikiki, and why it became known as Beach Boy surfing. This multi-skilled sport is a combination of paddling and surfing, whose ancient beginnings are Polynesian and have gained attraction within the last five years.

“Really all it takes is some enthusiasm for the water, and some balance skill,” Hayes said.

Many paddle for exercise, which may explain its popularity, Hayes added.. Easier than surfing and more fun that working out in a gym, standup paddling is a whole body workout. A SUP’er can paddle long or short distances, or can just try a new way to surf.

Shane Adolpho, a Molokai local and standup paddling enthusiast, said he has been standup paddling for years, after he saw a co-worker try it. He now standup paddles distance runs with several other devotees of the sport.

Adolpho said he owns so many boards because they’re used for different conditions – the shorter boards, in the nine-foot range, are for wave surfing, while the longer boards, 12 to 14-feet, are for downwind paddling.

“If there’s surf, I’d rather [standup paddle] surf. It keeps me in shape for when I do long distance [paddling],” he said.

Standup paddle boards are different from surfboards in that they are thicker and sturdier. Hayes began manufacturing standup boards with the help of a friend in the wind surfing industry. The more experienced paddler can also use a surfboard to standup paddle surf, Hayes said.

“The first time I caught a wave [while paddling], it was a thrill starting over for something new and fresh,” he said. “It gave me refreshed enthusiasm.”

Who paddles?
Standup paddling has been reported in some unorthodox places. Earlier this year, “Stand Up Paddle Surf Magazine” reported that veteran surfer, Archie Kalepa of Maui, SUP’ed a record 187 miles through the Colorado River.

Paddlers have formed clubs on the east and west coasts of the U.S., in Japan, Australia, Brazil, Tahiti, and the UK.

“Lakes, rivers, streams – it’s everywhere,” Hayes said. There are also competitive racing circuits starting up.

Ekolu Kalama, Molokai born and raised, is the world’s first professional standup paddle surfer. Soon after he went pro in 2008, Kalama became the first person to paddle surf from Spain to Morocco, across the Straight of Gibraltar. Earlier this year he won the Rainbow Sandals Molokai to Oahu Stand Up Paddle division race.

For standup paddlers who want to get started locally, Adolpho said the best conditions to downwind paddle on Molokai can be found on the south side of the island because of tradewinds – starting in areas like Kawela and traveling downwind to convenient destinations like Hotel Molokai and Kaunakakai Wharf.

“For guys who’ve never surfed before, [they] get a workout, see the ocean, see the reef, fishes – it’s a pretty cool deal,” he said.

 

Da Kine Film Stay Coming Molokai

Wednesday, November 11th, 2009

Da Kine Film Stay Coming Molokai

Spoken by more than half the population in Hawaii, pidgin has a unique place in the heart of the state. Begun by plantation workers in the 19th century, pidgin is a mix of English, Hawaiian, with bits of Japanese and Cantonese. It was also known for years as a language of shame, a language of a people left out of their own country.

is the glue that holds Hawaii together,” Booth said.

For example, one of Booth’s favorite pidgin expressions is “small kid time,” because the word ‘childhood’ is so academic and broad, while in pidgin it’s more sensory.

“So much in pidgin is a critique of society in Hawaii,” Booth said.

After the annexation of Hawaii to the United States in 1896, English was declared the official language and Hawaiian swept under the rug – an act not reversed for another hundred years. The Hawaiian language effectively disappeared, Booth said.

“Pidgin emerged in that vacuum,” she explained.

Booth spoke with a lot of native speakers of pidgin, but when asked to film their answers, many told her no. When she asked them why not, they told her “shame, brah” – the stigma many pidgin speakers still feel. Booth heard stories of generations past that would be rapped on the knuckles during school for speaking Hawaiian or pidgin, forcing it underground.

However, many opened up and spoke on camera about why they speak pidgin, when, to whom, how they feel about speaking, and what they perceive others feel when they hear pidgin.

One challenge Booth faced when making the film was how it would speak to an audience both inside and outside Hawaii. Many of her friends in her hometown of Boston had no knowledge of Hawaiian history, she said. That made the complex issues surrounding pidgin difficult to explain.

The film was previously shown at the Hawaii International Film Festival, where it won the audience award for a documentary film. It will also air on PBS Hawaii on November 19th at 8:30 and 11 p.m.

There will be an additional special session for local kupuna at Kalele Bookstore on Friday, November 20th. Booth will present the movie at 8:30 a.m. with a talk story to follow. Seating is limited; for registration contact Teri at the bookstore.

The Healer’s Heel

Sunday, November 8th, 2009

Community welcomes Father Damien’s relic.

Encased within a glass box, within a wooden box, and within a koa box, nestled one of Saint Damien’s heel bones. For the past three weeks, the relic has toured across many of the islands, stopping for mass and prayer at dozens of churches. Finally, last weekend, the relic visited topside Molokai and Kalaupapa – the place closest to Saint Damien’s own heart. Here on Molokai, the people were “enthralled,” in the words of Rev. Christopher Keahi, the provincial superior of the Sacred Hearts congregation in Hawaii.

“[The reaction] gave all the bishops [a sense] how alive faith is here, that all people have Saint Damien in their hearts,” he said.

Aloha Saint Damien: Following in His Footsteps

Sunday, November 1st, 2009

Aloha Saint Damien: Following in His Footsteps

This is an ongoing blog about Father Damien by Molokai Dispatch reporter Megan Stephenson.

Saint Damien’s relic venerated across Molokai

After weeks of waiting, Molokai residents finally were able to celebrate the momentary return of Saint Damien de Veuster, last Friday evening. Over one hundred worshipers of all faiths on Molokai gathered with 13 bishops and religious delegates from Hawaii, California and Belgium for a special inter-faith Mass at Kaunakakai Ball Field.

Carried by two alter boys of St. Damien Parish, Travine and Ralph Johnson, the relic was followed by bishops from California and the Cardinal Godfried Danneels of Belgium from St. Sophia’s. Several Belgian people had also come to follow the relic tour, including the provincial of the Sacred Hearts congregation in Belgium, Frans Gorissen. He said since the first Belgian priest was sent to Hawaii in 1825, there has been an “indefinable connection” between Belgium and Hawaii.

The crowd stood quietly as the group entered the makeshift aisle on the ball field, heading towards an alter decorated with ti leaves and various tropical flower arrangements. The bishops all wore different colored leis with their standard black clergy shirt, while the Hawaiian delegation wore white cassocks.

Honolulu’s Bishop Larry Silva,leader of the Diocese of Honolulu, led the hour-long service, punctuated by song, prayers from community members, and the Ricky Grorospe’s winning student performance of ‘Damien,’ a play by Aldyth Morris.

“It was wonderful, especially to see the youth. It’s important to see the youth involved in our faith,” said Bishop Silva.

Early the next morning, as the sun rose along the cliffs, a small group of Molokai and Oahu faithful carried the relic down the pali trail to an evocative celebration in Saint Damien’s home of Kalawao on the Kalaupapa peninsula. Rev. Clyde Guerrero, Travine and Ralph Johnson, and Kamalani Bicoy, all of St. Damien Parish on Molokai, as well as two seniors from Damien Memorial High School in Oahu, Jerick Sablan and Jonathan Padron, hiked down the trail with the relic protected in a backpack that the boys shared.

Once at the bottom, the rest of the delegation from the previous night greeted them; they had flown down earlier that morning. After a brief service, the group continued on to the recently renovated St. Philomena’s, Father Damien’s church in Kalawao.

The relic has now been returned to Honolulu, where it will remain in the Cathedral of Our Lady of Peace – the same cathedral were Saint Damien was ordained a priest nearly 150 years ago.

Molokai’s Saint Damien

Wednesday, October 28th, 2009

Molokai’s Saint Damien

Thousands watch live as Damien is canonized in Rome.


It began with song. The prayers and chanting of exhilarated voices filled the packed St. Peter’s Basilica in Rome. Thousands of pilgrims sat or stood, inside and outside the Basilica to watch, straining their ears to hear the words that many had waited years to hear. Bishops in their pink robes and cardinals in red hats swayed down the aisle, followed by the Holy Father, Pope Benedict XVI, during the opening service. While five would be canonized there that day, the focus for many was on Father Damien.

n on Molokai – the first is Catholics that don’t practice.

He and Father Felix Vandebroek of St. Francis in Kalaupapa are members of the same order as Father Damien. Guerreiro said he identified with Damien’s solidarity. Before arriving in Hawaii, Damien thought of the native Hawaiians like others of his position as savages and pagans.

But he soon changed his tune, Guerreiro said. “He became absolutely one with them.”

Damien’s journey was certainly unforeseen by many of the people in his life – a peasant farm boy who entered his congregation at a remarkably young age, barely knowing French and no Latin at all. Damien’s enthusiasm, resolve, and unlimited devoutness endeared him to his people, the forgotten of Molokai, and has now captivated the modern world. His commitment and sacrifice has earned him the highest honor attainable for a Catholic priest, and one of the highest distinctions in the world.

Aloha Saint Damien: First-class relic less than a week away

Sunday, October 25th, 2009

This is an ongoing blog about Father Damien by Molokai Dispatch reporter Megan Stephenson.

As Saint Damien’s relic makes its grand tour around the island, many maybe wondering what they are looking at. A relic is some object that was a part of the life of a deceased believer of Christ that has been elevated to saint by the Catholic Church. It is a reminder of their sacrifice and divinity, and seen by followers to adore and to worship. However, the Church is now clear it is strictly a memorial – in the past, the Church believed that a relic had powerful properties residing within, but is discouraged now as to disassociate with some sort of magic.

There are three types of relics, classified by the physical connection to the saint. A first-class relic is an item directly associated with Jesus Christ – such as a part of the cross he was crucified on – or the saint’s physical body – such as a bone. These are the most prized of relics, as they are assumed to be incorruptible (they not deteriorate). A second-class relic is usually a piece of clothing or an item frequently used, such as a book or rosary. A third-class relic is usually more connected to the first- or second-class relics, such as small piece of cloth. The sale of relics are strictly forbidden, according to Canon Law.

Both of Saint Damien’s relics are first-class: his right hand and his left foot, both of which showed the physical signs of leprosy. This symbolism serves as an additional reminder of his sacrifice.

However, not all relics are Christ-related. There are many other religions who find solace in remembering their prophets or religious leaders. For example, the relics of Buddha are worshiped, and have been confirmed as Buddha’s by archaeological study.

The relic is currently in Maui. It will travel to Lanai and Kauai before returning to Molokai this Friday. The relic will permanently reside in the Cathedral of Our Lady of Peace in Honolulu, where Saint Damien was ordained a priest nearly 150 years ago.