Culture & Art

Preserving a Rare Tradition

Thursday, April 21st, 2011

Preserving a Rare Tradition

Over 30 Molokai residents moved in a huge, swaying circle, blowing air through one nostril into a bamboo flute. There were learning an ancient form of hula – the `ohe hano ihu, or nose flute. The Hula Preservation Society (HPS) in collaboration with Oahu’s Hakipu`u Learning Center held the workshop last Saturday as part of their effort to preserve the first hula and demonstrate hula implements rarely seen today.

Participants each made a nose flute and learned the basics of playing, along with its accompanying hula, pictured above.

Showing grace and adaptability, a group of 10 youth demonstrated various forms of rare hula. Normally, dancers learn from one kumu in one style, but in order to preserve a wide variety of traditions, these students learned to be adaptable.


It is said that King Kalakau`a, who reigned in the late 1800s and was responsible for revival of hula, created the papa hehi after a trip around the world. He was inspired by seeing the treadle of a sewing machine, according to Iwalani Kalima, a kumu hula of Hilo who taught the students some of the rare forms.

“It’s so wonderful to be able to keep the legacy,” she said.

Modern Kids, Old History

Monday, April 11th, 2011

Modern Kids, Old History

Students at Kualapu`u School transformed their auditorium into a multi-cultural mecca last Thursday with a school play about Hawaii’s history.

“I wasn’t nervous today,” said La`a Sumarnap, a sixth grader of Kualapu`u School.

Last Thursday’s play portrayed important events from Hawaii’s history, starting with the formation of Hawaii’s archipelago, to the banning of hula, and the migration of Chinese, Japanese and Filipinos who worked on Hawaii’s plantations.

“We made our drums out of tires and tape,” he said.

Kenilyn Nishihiri-Aki, a sixth grader at Kualapu`u , summed up the play.

“We all have aloha for this place where we live. We love the Hawaiian culture,” she said.

`Aha Ki`ole Survey Says No Windmills

Monday, April 11th, 2011

Community Contributed

Submitted by Karen Poepoe

The existing `Aha Moku/`Aha Ki`ole bill which calls for an `Aha Ki`ole presence in an advisory capacity within the DLNR continues to struggle to stay alive in legislation, and we support it wholeheartedly. However, we see no reason why we cannot move forward with our own island issues as a whole community and people powered rather than money powered. Our community demographic and conservative lifestyles allow the possibility of an effective `Aha Ki`ole management community collaboration effort.

Putting Back the Pieces

Monday, April 11th, 2011

Putting Back the Pieces

Something is out of place at many of Molokai’s fishponds – many of their rocks. Large puka along hundred-foot-long newly-restored walls leave fish to swim in and out freely. It’s a stark reminder of nature’s power, and the damage left by the March 11 tsunami.

Caretakers of several fishponds located on the east end reported damaged walls, as well as surrounding structural damage after the tsunami. Residents and advocates on Molokai are preparing to rebuild soon. Merv Dudoit of Ka Honua Momona said they will be donating some of their volunteers once work days are established.

Walter Ritte, director of the Hawaiian Learning Center and Keawanui Fishpond, said although the fishpond was nearly completed after three years of restoration, “[this is] an opportunity for us to do it right.”

“I just take it in stride, you cannot argue with nature,” he said, standing at the edge of the demolished fishpond wall. “It’s easier putting back [the stones] than building – the stones are already there,” he said.


He has had regular volunteers, such as his Ho`omana Hou high school students, but like other caretakers, he is calling for kokua to help restore.

Taking in the Damage
Kupeke, `Ualapu`e and Ka`ope`ahina fishponds were also reported as damaged to the county and the state Civil Defense. Sonny Dunnam, owner of Kalua`aha Ranch and Ka`ope`ahina Fishpond, said “it used to be the nicest fishpond around.” Rebuilt with 5- to 8-foot-tall walls in 1960 after a tidal wave, Dunnam said about seven-eighths of the wall is now decimated.

“It was solid – now it’s just a wall of rocks,” said Malu Dunnam, Sonny’s daughter-in-law. Sonny’s daughter and son-in-law, Brandon and Tammy Enos, also suffered the loss of their house, located on the fishpond property.

The state Civil Defense and Red Cross have provided some relief to the family for rebuilding their home, but the fishpond remains in pieces. Grants take too much time and paperwork, said Malu, and they are asking for volunteer kokua to restore the fishpond walls.

Helping Hands

Like Keawanui, the Dunnam’s pond had rocks tossed about and scattered throughout the pond. Volunteers do not need to know how to build a wall – just be willing to help in the process, Malu said.

The same damage would have happened to ancient Native Hawaiians facing a tidal wave or tsunami, according to Ritte.

“You’re not going to put anything permanent in the ocean,” he chuckled.

Honua Consulting, an Oahu-based company that provides professional services for Native Hawaiians in culture, education, community relations and environmental services, has already come to Keawanui to see the damage. They have set up a contributions page on their website to donate money directly to Keawanaui (HonuaConsulting.com).

Ritte said he and the Keawanui volunteers were not able to recover all the rocks needed, and have had to buy from a quarry to fill in the gaps. A small barge they used for towing the rocks across the pond for building was also damaged in the tsunami.

For information on how to help all of Molokai’s tsunami-affected fishponds, contact the Molokai Community Service Council at 553-3244 or visit honuaconsulting.com.

President Obama declared Hawaii’s tsunami a major disaster late last week, and Federal Emergency Management Agency (FEMA) funding is now available to state and eligible local governments.

Ekolu Brings it Home

Monday, April 4th, 2011

Ekolu Brings it Home

Ekolu’s keyboard player is Molokai’s own Tom Mamuad, born and raised in Ho`olehua. The Molokai Dispatch sat down to talk story with him about how he began playing and how it felt to perform for the home crowd.

Molokai Dispatch (MD): How did you get your musical start?
Tom Mamuad (TM): I learned to play keyboard by playing at King’s Chapel growing up. After I graduated from Molokai High in 2002, I moved to Maui and got my professional start playing in a phenomenal band called Nuffsedd. That was where I sunk my teeth into a lot of stuff like parties and bar gigs. I also got involved in music at King’s Cathedral on Maui. I try to keep myself as musically varied as possible – you never know what situation you’ll need to play in.

Igniting Dreams

Monday, April 4th, 2011

Igniting Dreams

Some artists use paint as a tool of the imagination, others prefer clay, but for one artist, setting her art aflame brings culmination to the project. Mavis Muller, an artist from Homer, Alaska, came to Molokai two weeks ago and began her 20th public basket-burning project.

Muller spent the past week building a 7-foot structure with local community members willing to help. They used coffee plants, haole koa, mangrove, banana and other local plants for the basket.

Muller finds it to be a healing process when people can burn their heartfelt messages inside a hollow pedestal and basket, she said.


Last Saturday at Ali`i Fishpond, she invited people to write down and insert prayers, dreams and hopes on pieces of paper inside the basket. Around sunset, Kauwila Hanchett chanted in Hawaiian and torches were lit. Soon after, the dreams, hopes, and prayers of Molokai took a new form.

One woman even put a piece of her wedding dress in the basket. Another brought old love letters.
Muller calls her project “public art.”

“I feel like I have butterflies in my stomach and my heart is wide open,” one participant said.

Muller has held her burning events on Maui, and in California and Oregon as well as her home state.

 “She uses the art as a healing force,” said Teri Waros, owner of Kalele Bookstore and Divine Expressions, who helped facilitate the event. “It helps serve people here in our community.”

“I think this is a great way for the community to get together,” said participant Drake Wells.

Calling All Artists

Monday, April 4th, 2011

Community Contributed

By Kim Markham

Molokai Arts Center is inviting artists to submit grant proposals for the Native Arts and Cultures Foundation. The theme of this year’s grant program is “Mobilizing the Community Through the Arts” – a perfect theme for the start of Molokai’s first community art center.

Molokai Educator Gets High Honors

Monday, April 4th, 2011

Molokai Educator Gets High Honors

Rose Yamada not only brings her educational experience to Molokai, but she also brings her love for Hawaiian values and culture. These passions helped earn Yamada the Educator of the Year award from the Native Hawaiian Education Association (NHEA) after an accomplished thirty years in the Hawaii education system.

Yamada was presented with the award alongside two other recipients, Calvin and Charlene Hoe, on March 17 at Windward Community College on Oahu.

“She deserves a round of applause [and] a thank you from all of us,” said Janice Espiritu, principal of Kaunakakai Elementary. “She’s really deserving of the award.”

were great farming scientists. They were able to develop 300 varieties of taro. I think that’s how the people survived.”

And at 69 years old, Yamada’s ultimate success story has yet to begin.  She was asked by a panel at the NHEA award ceremony, “What has been your greatest accomplishment?”

“I don’t have any. I’m not done, yet,” Yamada responded.

Calvin and Charlene Hoe did not return calls for comment.

 

Ekolu Spreading Love

Monday, March 28th, 2011

Ekolu Spreading Love

Award-winning reggae band, Ekolu is letting the music flow with their latest album release, “Simply for Love.”  They will be at Molokai’s very own Paddler’s Inn for the album release party, this Saturday, April 2, hosted by HI Finest Productions. Local boy Paulele Alcon’s company will also be donating proceeds of the concert to the Molokai High School Athletics Department.

Ekolu’s front-man, Lukela Keala, spoke with the Dispatch about Ekolu’s inspirations, his personal experiences of growing up in Wailuku Valley in Maui, and what we can expect from his band this weekend.

Molokai Dispatch (MD): How do you think Ekolu’s style has evolved over the years?

Lukela Keala (LK): Just wanting to be a better musician. Doesn’t take much to motivate me.

I could never get away from it.

MD: You have played shows on the mainland, as well as Japan. How do those audiences differ from Hawaii’s audiences?
LK:
People on the mainland and Japan are more emotional. I guess that’s because they don’t local music all the time. You can feel that they miss home a lot!

MD: What is the number one message you want to spread amongst your listeners?
LK:
That’s simple - love.

MD: What do you listen to these days?
LK:
All kinds of stuff – oldies, reggae, Hawaiian, Jazz, Light Rock, Opera (Andrea Bocelli’s my man) and just a mix of everything.

Thank you, Lord Jesus for everything. I am grateful for you. Much love to all of the Molokai people. Oh, and one more thing, pick up our new album, “Simply For Love.” I know you guys don’t have a Borders over there, so check it on our website: www.ekolumusic.com. Love you, Molokai folks!

Keeping It Classy

Monday, March 28th, 2011

Keeping It Classy

Molokai elementary students enjoyed a relaxing start to their four-day weekend last Thursday afternoon when they were treated to a classical music performance.

The Galliard String Quartet, an ensemble of Chamber Music Hawaii, travelled across the island, stopping at each elementary school and the Molokai Public Library as part of an educational outreach program through the Honolulu Symphony.

The violinists, a violist and a cellist demonstrated the versatility of the classical genre by playing a variety of musical selections, including arrangements from World War II and modern folklore.

 “Classical music is a treasure of national history,” said quartet violinist Hung Wu. “There is much more to be learned in addition to the notes and arrangements.”

Students enthusiastically asked questions about the origins of the pieces played, how long the musicians have been playing and the materials used to craft the instruments.

“I like the low sound of the bass and would like to try play sometime,” said Kaunakakai third grader Beverly Ludgate.

Kualapu`u School Principal Lydia Trinidad said the kids benefited from the participatory aspect of the show and “got a rise out of watching their teachers get on stage and play with the ensemble”

“It’s great the quartet can come and expose the kids to new world culture at an expert level of performance,” said Kaunakakai teacher Bob Underwood, who also teaches violin and brass instruments through the 21st Century program. Classes are offered at Kaunakakai Elementary, Kualapu`u School and Maunaloa Elementary.