Royalty Returns
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Royalty returns to Molokai! Hundreds of keiki and their families participated and enjoyed this year's May (Lei) Day events, scattered around the island. Below are pictures from Molokai's six schools' celebrations.
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Royalty returns to Molokai! Hundreds of keiki and their families participated and enjoyed this year's May (Lei) Day events, scattered around the island. Below are pictures from Molokai's six schools' celebrations.
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A Tibetan flutist and Grammy Award-nominated pianist have come together to provide Molokai with an evening of unique music, chanting and prayer – Awakening Kindness for Mother Earth – on May 12.
Peter Kater, six-time Grammy Award-nominated pianist and composer, and Nawang Khechog, flutist, author and former student of the Dalai Lama, have been friends and music collaborators for almost 20 years.
“All our concerts are improvisational around various structures, key changes, chord changes and spiritual concepts,” Kater said via email.
Kater and Khechog’s concert will be held at Mahana Gardens, 10 miles west of town, and hosted by Kalele Bookstore and Divine Expressions. Kater said he met Kalele’s owner, Teri Waros, in California while he was on tour. Kater moved to Maui a few years ago, where Waros found him again and asked him to play on Molokai.
“We're so much looking forward to coming to experiencing the land and people of Molokai,” Kater said. “It's almost mythical in its beauty and energy.”
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Community contributed by Gladys Brown
Genealogy and family history search is the fastest growing hobby in America. Come join us for a free workshop on this fascinating pastime on Saturday May 14, 2011, 9 a.m. - 1 p.m. at the Latter Day Saints Family History Library in Kalamaula.
Susan Shaner, Hawaii State Archivist, is the keynote presenter who will speak on "Hawaii State Archives Records." Learn how to access these public documents.
Alex Haley, author of “Roots,” wrote, “All human beings belong to some family that has ancestry and a native land. The need for knowing who you is is universal." If a descendant of slaves could find his ancestors in Africa, we, too, can find our roots and branches.
Visitors flowed in and out of last week’s 48th annual Merrie Monarch hula fest in Hilo, Hawaii Island, exploring the ancient art of hula and showcasing the state’s best dancers. At an event where tradition mixes with a mercantile mart, local shoppers and visitors alike are able to see and buy unique, home-made Native Hawaiian crafts.
Several Molokai crafters were on-hand, selling delicate jewelry and sustainably-made clothing among many other items. The Dispatch talked with Valerie Dudoit-Temahaga of ` Ohana Creations, Ameron and Haunani Madela of Lokikai o Molokai, and Jaime, Ane and Hina of Kealopiko.
MD: What brings you to Merrie Monarch each year? Is it difficult?
Ohana Creations: Coming to Merrie Monarch is more like a vacation to get away and being around the people and seeing the different crafts and getting ideas.
Kealopiko: It costs a lot to get here – shipping, freight and flight costs are ridiculous. (Ane) feels the nice thing about this fair is that the cost is more reasonable for us.
The Molokai High School Theater Group is getting back in the acting groove and preparing for its upcoming play, “The Princess and the Pea.”
The group started getting together for practice after school four days per week in January, preparing a play that will take the stage on May 2, 3, 5 at the MHS cafeteria-turned-theater.
Theater used to be offered as a class at MHS, when the funds were available, but now, the 21st Century program supports the acting club as an after-school program.
With the help of 21st Century, they are able to buy costumes and stage supplies.
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While St. Damien is a household name on Molokai, Blessed Mother Marianne Cope isn’t far behind in the process of being declared a saint. A relic of the venerated nun, who served in Kalaupapa with Damien, will be on display on Molokai on May 6 and 7.
Not only did Mother Marianne leave her home in New York to care for Hansen’s disease patients in Kalaupapa and Honolulu for 35 years, but she also founded the first hospital on Maui, as well as Hilo General Hospital and orphanages for children around the state.
“I am hungry for the work, I am not afraid of the disease, hence it would be my greatest delight even to minister to the abandoned lepers,” said Mother Marianne in response to a request to serve in Hawaii, in 1883, according to blessedmothermarianne.org.
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Community Contributed
By G.T.Larson
part I
“Ua Mau Ke Ea O Ka Aina I Ka Pono – The life of the land is perpetuated in righteousness.”
This, the state motto of Hawaii, is one of the few if not only state mottos that alludes to man’s integral relationship to the natural world. This series will explore the Molokai’s life of the land with a brief history, both natural and human – its ample strengths and clear fragility, our diverse cultures and our common bonds. In our first part we will examine where we are in the broad expanse of the universe.
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Over 30 Molokai residents moved in a huge, swaying circle, blowing air through one nostril into a bamboo flute. There were learning an ancient form of hula – the `ohe hano ihu, or nose flute. The Hula Preservation Society (HPS) in collaboration with Oahu’s Hakipu`u Learning Center held the workshop last Saturday as part of their effort to preserve the first hula and demonstrate hula implements rarely seen today.
Participants each made a nose flute and learned the basics of playing, along with its accompanying hula, pictured above.
Showing grace and adaptability, a group of 10 youth demonstrated various forms of rare hula. Normally, dancers learn from one kumu in one style, but in order to preserve a wide variety of traditions, these students learned to be adaptable.
Students at Kualapu`u School transformed their auditorium into a multi-cultural mecca last Thursday with a school play about Hawaii’s history.
“I wasn’t nervous today,” said La`a Sumarnap, a sixth grader of Kualapu`u School.
Last Thursday’s play portrayed important events from Hawaii’s history, starting with the formation of Hawaii’s archipelago, to the banning of hula, and the migration of Chinese, Japanese and Filipinos who worked on Hawaii’s plantations.
“We made our drums out of tires and tape,” he said.
Kenilyn Nishihiri-Aki, a sixth grader at Kualapu`u , summed up the play.
“We all have aloha for this place where we live. We love the Hawaiian culture,” she said.
Community Contributed
Submitted by Karen Poepoe
The existing `Aha Moku/`Aha Ki`ole bill which calls for an `Aha Ki`ole presence in an advisory capacity within the DLNR continues to struggle to stay alive in legislation, and we support it wholeheartedly. However, we see no reason why we cannot move forward with our own island issues as a whole community and people powered rather than money powered. Our community demographic and conservative lifestyles allow the possibility of an effective `Aha Ki`ole management community collaboration effort.