Culture & Art

Molokai-Made at Merrie Monarch

Monday, May 2nd, 2011

Molokai-Made at Merrie Monarch

Visitors flowed in and out of last week’s 48th annual Merrie Monarch hula fest in Hilo, Hawaii Island, exploring the ancient art of hula and showcasing the state’s best dancers. At an event where tradition mixes with a mercantile mart, local shoppers and visitors alike are able to see and buy unique, home-made Native Hawaiian crafts.

Several Molokai crafters were on-hand, selling delicate jewelry and sustainably-made clothing among many other items. The Dispatch talked with Valerie Dudoit-Temahaga of ` Ohana Creations, Ameron and Haunani Madela of Lokikai o Molokai, and Jaime, Ane and Hina of Kealopiko.

MD: What brings you to Merrie Monarch each year? Is it difficult?
Ohana Creations: Coming to Merrie Monarch is more like a vacation to get away and being around the people and seeing the different crafts and getting ideas.
Kealopiko: It costs a lot to get here – shipping, freight and flight costs are ridiculous. (Ane) feels the nice thing about this fair is that the cost is more reasonable for us.


Ohana Creations: Over 10 years ago I was amazed by the talent of the crafters at the Merrie Monarch Craft Show. One particular craft that inspired me was flowers made of Fimo Clay. My journey of creations using clay started. I first worked with Fimo Clay; as I progressed, I was introduced to Deco and Hearty Air Dry Clay which is what I now use. By going out and selling whatever it was that I had made, word got around and soon people were asking for my business card. Next came invitations to craft shows.

Thanks to Kanoe Davis for the interviews at Merrie Monarch.

Acting Themselves

Monday, April 25th, 2011

The Molokai High School Theater Group is getting back in the acting groove and preparing for its upcoming play, “The Princess and the Pea.”

The group started getting together for practice after school four days per week in January, preparing a play that will take the stage on May 2, 3, 5 at the MHS cafeteria-turned-theater.

Theater used to be offered as a class at MHS, when the funds were available, but now, the 21st Century program supports the acting club as an after-school program.
With the help of 21st Century, they are able to buy costumes and stage supplies.

Blessed Marianne Cope Returns

Monday, April 25th, 2011

Blessed Marianne Cope Returns

While St. Damien is a household name on Molokai, Blessed Mother Marianne Cope isn’t far behind in the process of being declared a saint. A relic of the venerated nun, who served in Kalaupapa with Damien, will be on display on Molokai on May 6 and 7.

Not only did Mother Marianne leave her home in New York to care for Hansen’s disease patients in Kalaupapa and Honolulu for 35 years, but she also founded the first hospital on Maui, as well as Hilo General Hospital and orphanages for children around the state.

“I am hungry for the work, I am not afraid of the disease, hence it would be my greatest delight even to minister to the abandoned lepers,” said Mother Marianne in response to a request to serve in Hawaii, in 1883, according to blessedmothermarianne.org.

,” Lau said. “She assured none of our sisters will contract Hansen’s disease. And nobody has. That in itself is a miracle, I think.”

Mother Marianne spent the last thirty years of her life in Kalaupapa taking care of those exiled there, never having a chance to return to her home in New York before dying of natural causes.

During her time there, she helped start the construction of the Bishop Home in Kalaupapa for homeless women and girls affected with Hansen’s disease. She also opened the Kapiolani Home on Oahu for daughters of Hansen’s disease patients.

Possible Sainthood
In order to be declared a saint by the Catholic Church, two miracles must be attributed to the subject and verified by the Vatican in Rome; Mother Marianne has one miracle to her name. In 1992, a cancer patient, Kate Mahoney, touched a relic of Mother Marianne and was healed shortly after. Doctors were dumbfounded by her recovery, and she is still alive today.

There is currently one more alleged miracle attributed to Mother Marianne, but the details of it have not been released.

Marianne’s first phenomenon was verified in the late 1990s.  Another possible miracle is being reviewed by the Vatican in Rome, but the details of it have not been released.

The relic comes just in time for her six-year anniversary of being declared Blessed.  She gained beatification in 2005, which is the third step of four in the canonization process.

Mother Marianne’s efforts on Oahu earned her the Royal Medal of Kapiolani. Upon arrival in 1883, the Sister’s first task was to take care of newly diagnosed Hansen’s disease patients at Branch Hospital. A year later, she founded Malulani Hospital, the first hospital on Maui.


Mother Marianne met St. Damien two years before he was diagnosed with Hansen’s disease, in 1884. He was so satisfied with her and her Sisters’ work, he requested that they take over for him in Kalaupapa after he died.

Blessed Mother Marianne Cope’s relic will be on display at Kalaniana`ole Hall on May 6 from 5:30-7:30 p.m. and at St. Damien Center until midnight for prayers. From there, it will be transported to St. Francis Church at 10:30 a.m. on May 7.

The Life of the Land series

Friday, April 22nd, 2011

The Life of the Land series

Community Contributed

By G.T.Larson

part I
“Ua Mau Ke Ea O Ka Aina I Ka Pono – The life of the land is perpetuated in righteousness.”

This, the state motto of Hawaii, is one of the few if not only state mottos that alludes to man’s integral relationship to the natural world. This series will explore the Molokai’s life of the land with a brief history, both natural and human – its ample strengths and clear fragility, our diverse cultures and our common bonds. In our first part we will examine where we are in the broad expanse of the universe.


The forests of Molokai once echoed with the lovely songs of many unique and beautiful birds. Some, such as the `Apapane and Amakiki can still be seen and heard in what?s left of our native forests. Many more, such as the Black Mamo and `Akialoa, have been permanently silenced from the forest of their ancestors. Evidence suggests that 40 or more species became extinct after colonization by the early Polynesians, and another 23 at least have been lost since Western contact.

To study the history of Hawaiian wildlife is to study the change of the natural world by man. In many instances in the past, we have ravaged the land for monetary gain, such as the rampant clear cutting of Molokai's native rainforest in the nineteenth century to run cattle. In others, we have inadvertently caused great damage – in some cases, irreparable damage – to the life of the land for vain glory such as feather capes for kings, rare coral jewelry, and endemic tree snail shell collections that sometimes numbered in the tens of thousands per collector. This interaction with humankind will be look at further in a future article.

We have a solemn obligation to protect and preserve the beauty around us. As you travel, work, or play, notice the real world around you. Man has created an amazing artificial environment which he even has the capability of having beamed into his home 24/7, but nature surrounds us with sights, sounds and smells guaranteed to soothe the nerves and calm the spirit. Flowers are not beautiful just for bees, birds and butterflies. The calming call of the ocean is not just for the `Opihi and `Iwa (Frigate Bird). Man can see more colors, hear more sounds and smell more smells than any one creature on earth. Nature speaks to our senses unceasingly, may we each give it a listen.

part V
The Pacific Ocean, approximately 1000 A.D. The morning breaks like many others, bright and warm. The day wears on, providing a steady breeze allowing good progress of the voyage. As evening approaches, the cooling breeze seems to be whispering a note of change. The navigator’s diligent gaze travels the arch from the crimson glow of the western setting sun, to the purple afterglow and the inky black of the Earth’s shadow; night fall spreads across the heavens from the east. As he scans the heavens, he finds his newly acquired friend. When the voyage began, this flickering point of light was much lower to the northern horizon. As this journey of exploration has continued on its northerly traverse of the vast blue ocean, the starry night sentinel has risen steadily toward the zenith, directly overhead. This brilliant, slightly red guide will later be named Hoku`lea by these voyaging ancestors.

As the navigator’s experienced gaze takes in the heavenly inventory of the hundreds of stars and their associated constellations, his attention is again drawn to the faint red glow on the horizon. He quickly realizes that this shimmering light is straight off the sailing canoe’s bow to the north, whereas the last fading ember of the tropical sunset is to the west of the seafarers. This red-orange glimmer arrests the attention of all onboard. Faces of weathered age and wisdom, faces aglow with youth and vitality, faces that have endured tropical tempests and equatorial doldrums, all gaze in wonder, concern, and interest. As the glow intensifies it seems to have a movement of its own.

As the travelers continue their approach a small dark point begins to rise. The point becomes a spot and then a mass. On this mass, bright fiery ribbons lace the night sky with golden hues. The largest land mass any of them have ever seen rises from the dark depths, piercing the night sky. For most, if not all, it is the first time they have seen the earth molten. The now brilliant display of glowing red rivers abruptly ends in a spectacular battle of fire, steam and surf; as usual the sea is victorious. As the voyagers stare in amazement, the navigator takes note of the bright celestial friend, it is now directly overhead. Man has discovered Hawaii.

The preceding account is the author’s speculation of how it could have been. There are no written records, only chants, legends, and tales. What we do know is man traveled across a vast watery expanse, the Earth’s largest ocean. How many never made landfall we do not know, but Polynesians finally discovered Hawaii and a period of migration from the Southern Pacific began.

Today, both the ancestors of these early explorers and newly arrived settlers have a responsibility to share in the preservation of this land and the life therein. Be still, consider the wonders around us, lest we forget and are ultimately forgotten ourselves. Aloha Nui Loa.

part VI
The single, most important event in the history of Molokai has been the arrival of humans. Not the first coconut that floated ashore and sprouted, nor the first bird that took wing from some distant shore and alighted upon a local lava ledge. Not the first plant seed attached by some means to the aforementioned bird, which fell off and took root – none of these affected the life of this land as much as that first sailing canoe that appeared off Molokai’s shoreline.

As best as can be determined with no written historical records, Polynesians probably arrived in the Hawaiian Islands in the sixth or seventh centuries A.D. Halawa Valley was most likely the first permanent settlement on Molokai and possibly in all of Hawaii. At first, these early pioneers partook of the sea’s bounty, but the land offered very little in the way of food for humans. These early explorers came prepared for just this possible scenario. Fruit and vegetable plants were planted and chickens and pigs were introduced into the environment to supplement seafood. Along with the intended cargo were undoubtedly some unintended stowaways, such as the Polynesian Roof Rat.

When a forest bird builds its nest to raise its young, it changes the forest environment. These changes, if kept in balance, at the least, have a neutral effect on the natural world; at best, a positive effect. Nature has an inherent balance that allows flora and fauna to flourish. The early Hawaiians affected their new home by their “nest building,” but humans have a tendency to build larger and more complicated nests. The extensive taro walls and stream diversion ditches in Halawa Valley and the many fish ponds along Molokai’s south shore show a remarkable level of engineering, but all this comes at a cost. The flora and fauna of Halawa?s valley floor has been permanently altered.

To some extent this is the way it has to be, for humans are a part of the circle of the life of the land and we need nourishment just like the birds and the bees. The early Hawaiians knew that the `aina would provide for them as long as they preserved the `aina. This was not a perfect protection, for not all those feathers on the feather capes of the ali`is were collected by catch and release. Thousands of forest birds, including many not found today, died for man’s pride. It’s one thing to eat a bird for dinner, and quite another to wear birds to dinner.

For the most part, the early Hawaiians interaction with the natural world can probably be summed up best by a quote by Hawaiian Charlie Keau: “We knew about pollution, we knew about preservation, we knew about the environment long before the Westerners forgot about it, because we had to live with what we had here. If we disturb any of the environment, we have no place to run and hide. This is our home.” May we all take care of our home. Aloha.

part VII
“We are life that wants to live in the midst of other life that wants to live,” Albert Einstein once said.

Many of us love this island, this land, but the question should be asked: do we love the life of this land? Much of our attention has been given to the interaction between humans and everything else, for we are the only creatures on Earth capable of destroying all the life of the land or protecting any of the life of the land.

The early Hawaiians knew that the natural world was their sole source of food, clothing and shelter, which necessitated a deep since of respect, even reverence for the land. Today, the preservation of the natural world has been somewhat relegated to the realm of being a nice thing to do, a good cause, be green, save the whales and all that. But the true essence of the land, the lessons contained therein, lessons that speak of balance, lessons, that for some of us, speak of the Creator, are being drowned out by the noise of the world.

We have more time-saving devices than ever, but less time than ever. In reality, time is the same length as it’s always been: a minute, an hour, a day, a month and a year are still a minute, an hour, a day, a month, and a year long. We just have much more to do now; important things, like trying to make a living, paying the bills, maybe raising a family. These are responsible endeavors, but even they are being crowded into smaller and smaller corners of the day. Technological advances have brought us to the point of 24/7 technology. Using the term advances usually has a positive connotation, but is it a sign of advancement to spend large amounts of the day texting, tweeting, and twittering? And if we are truly honest with ourselves, are all those phone calls, messages and tweets drawing us closer to our loved ones and advancing a useful, caring society?

Civilization is being separated from its roots. We are an integral part of the natural world, but we have allowed ourselves to be distracted from the real world and lured into an electronic illusion. This does not mean that all technology is bad, for this article was written on a modern computer. Instead, we need to be the masters of our technology not the slaves to it. Most importantly, we need to get up from the computer, turn off the TV, put down the gaming device and get our head outside. Look up at the stars, down at the flowers and across the mountains to the sea.

Ua mau ke ea o ka aina i ka pono – the life of the land is perpetuated in righteousness. Seek for the righteousness of the land. Aloha Ke Akua.

Preserving a Rare Tradition

Thursday, April 21st, 2011

Preserving a Rare Tradition

Over 30 Molokai residents moved in a huge, swaying circle, blowing air through one nostril into a bamboo flute. There were learning an ancient form of hula – the `ohe hano ihu, or nose flute. The Hula Preservation Society (HPS) in collaboration with Oahu’s Hakipu`u Learning Center held the workshop last Saturday as part of their effort to preserve the first hula and demonstrate hula implements rarely seen today.

Participants each made a nose flute and learned the basics of playing, along with its accompanying hula, pictured above.

Showing grace and adaptability, a group of 10 youth demonstrated various forms of rare hula. Normally, dancers learn from one kumu in one style, but in order to preserve a wide variety of traditions, these students learned to be adaptable.


It is said that King Kalakau`a, who reigned in the late 1800s and was responsible for revival of hula, created the papa hehi after a trip around the world. He was inspired by seeing the treadle of a sewing machine, according to Iwalani Kalima, a kumu hula of Hilo who taught the students some of the rare forms.

“It’s so wonderful to be able to keep the legacy,” she said.

Modern Kids, Old History

Monday, April 11th, 2011

Modern Kids, Old History

Students at Kualapu`u School transformed their auditorium into a multi-cultural mecca last Thursday with a school play about Hawaii’s history.

“I wasn’t nervous today,” said La`a Sumarnap, a sixth grader of Kualapu`u School.

Last Thursday’s play portrayed important events from Hawaii’s history, starting with the formation of Hawaii’s archipelago, to the banning of hula, and the migration of Chinese, Japanese and Filipinos who worked on Hawaii’s plantations.

“We made our drums out of tires and tape,” he said.

Kenilyn Nishihiri-Aki, a sixth grader at Kualapu`u , summed up the play.

“We all have aloha for this place where we live. We love the Hawaiian culture,” she said.

`Aha Ki`ole Survey Says No Windmills

Monday, April 11th, 2011

Community Contributed

Submitted by Karen Poepoe

The existing `Aha Moku/`Aha Ki`ole bill which calls for an `Aha Ki`ole presence in an advisory capacity within the DLNR continues to struggle to stay alive in legislation, and we support it wholeheartedly. However, we see no reason why we cannot move forward with our own island issues as a whole community and people powered rather than money powered. Our community demographic and conservative lifestyles allow the possibility of an effective `Aha Ki`ole management community collaboration effort.

Putting Back the Pieces

Monday, April 11th, 2011

Putting Back the Pieces

Something is out of place at many of Molokai’s fishponds – many of their rocks. Large puka along hundred-foot-long newly-restored walls leave fish to swim in and out freely. It’s a stark reminder of nature’s power, and the damage left by the March 11 tsunami.

Caretakers of several fishponds located on the east end reported damaged walls, as well as surrounding structural damage after the tsunami. Residents and advocates on Molokai are preparing to rebuild soon. Merv Dudoit of Ka Honua Momona said they will be donating some of their volunteers once work days are established.

Walter Ritte, director of the Hawaiian Learning Center and Keawanui Fishpond, said although the fishpond was nearly completed after three years of restoration, “[this is] an opportunity for us to do it right.”

“I just take it in stride, you cannot argue with nature,” he said, standing at the edge of the demolished fishpond wall. “It’s easier putting back [the stones] than building – the stones are already there,” he said.


He has had regular volunteers, such as his Ho`omana Hou high school students, but like other caretakers, he is calling for kokua to help restore.

Taking in the Damage
Kupeke, `Ualapu`e and Ka`ope`ahina fishponds were also reported as damaged to the county and the state Civil Defense. Sonny Dunnam, owner of Kalua`aha Ranch and Ka`ope`ahina Fishpond, said “it used to be the nicest fishpond around.” Rebuilt with 5- to 8-foot-tall walls in 1960 after a tidal wave, Dunnam said about seven-eighths of the wall is now decimated.

“It was solid – now it’s just a wall of rocks,” said Malu Dunnam, Sonny’s daughter-in-law. Sonny’s daughter and son-in-law, Brandon and Tammy Enos, also suffered the loss of their house, located on the fishpond property.

The state Civil Defense and Red Cross have provided some relief to the family for rebuilding their home, but the fishpond remains in pieces. Grants take too much time and paperwork, said Malu, and they are asking for volunteer kokua to restore the fishpond walls.

Helping Hands

Like Keawanui, the Dunnam’s pond had rocks tossed about and scattered throughout the pond. Volunteers do not need to know how to build a wall – just be willing to help in the process, Malu said.

The same damage would have happened to ancient Native Hawaiians facing a tidal wave or tsunami, according to Ritte.

“You’re not going to put anything permanent in the ocean,” he chuckled.

Honua Consulting, an Oahu-based company that provides professional services for Native Hawaiians in culture, education, community relations and environmental services, has already come to Keawanui to see the damage. They have set up a contributions page on their website to donate money directly to Keawanaui (HonuaConsulting.com).

Ritte said he and the Keawanui volunteers were not able to recover all the rocks needed, and have had to buy from a quarry to fill in the gaps. A small barge they used for towing the rocks across the pond for building was also damaged in the tsunami.

For information on how to help all of Molokai’s tsunami-affected fishponds, contact the Molokai Community Service Council at 553-3244 or visit honuaconsulting.com.

President Obama declared Hawaii’s tsunami a major disaster late last week, and Federal Emergency Management Agency (FEMA) funding is now available to state and eligible local governments.

Ekolu Brings it Home

Monday, April 4th, 2011

Ekolu Brings it Home

Ekolu’s keyboard player is Molokai’s own Tom Mamuad, born and raised in Ho`olehua. The Molokai Dispatch sat down to talk story with him about how he began playing and how it felt to perform for the home crowd.

Molokai Dispatch (MD): How did you get your musical start?
Tom Mamuad (TM): I learned to play keyboard by playing at King’s Chapel growing up. After I graduated from Molokai High in 2002, I moved to Maui and got my professional start playing in a phenomenal band called Nuffsedd. That was where I sunk my teeth into a lot of stuff like parties and bar gigs. I also got involved in music at King’s Cathedral on Maui. I try to keep myself as musically varied as possible – you never know what situation you’ll need to play in.

Igniting Dreams

Monday, April 4th, 2011

Igniting Dreams

Some artists use paint as a tool of the imagination, others prefer clay, but for one artist, setting her art aflame brings culmination to the project. Mavis Muller, an artist from Homer, Alaska, came to Molokai two weeks ago and began her 20th public basket-burning project.

Muller spent the past week building a 7-foot structure with local community members willing to help. They used coffee plants, haole koa, mangrove, banana and other local plants for the basket.

Muller finds it to be a healing process when people can burn their heartfelt messages inside a hollow pedestal and basket, she said.


Last Saturday at Ali`i Fishpond, she invited people to write down and insert prayers, dreams and hopes on pieces of paper inside the basket. Around sunset, Kauwila Hanchett chanted in Hawaiian and torches were lit. Soon after, the dreams, hopes, and prayers of Molokai took a new form.

One woman even put a piece of her wedding dress in the basket. Another brought old love letters.
Muller calls her project “public art.”

“I feel like I have butterflies in my stomach and my heart is wide open,” one participant said.

Muller has held her burning events on Maui, and in California and Oregon as well as her home state.

 “She uses the art as a healing force,” said Teri Waros, owner of Kalele Bookstore and Divine Expressions, who helped facilitate the event. “It helps serve people here in our community.”

“I think this is a great way for the community to get together,” said participant Drake Wells.