Culture & Art

Releasing a Dream

Wednesday, June 1st, 2011

Releasing a Dream

Thanks to a bad economy, a well-respected friend in the book industry and his creative mind, Molokai resident Brandon Jones is on his way to becoming a published author. His first novel, “All Woman and Spring Time,” is on schedule to be printed in 2012.

His fictional book was inspired by former President George Bush’s 2002 State of the Union address, labeling Iran, Iraq and North Korea as “axis of evil.” Not knowing much about North Korea, he began exploring the secluded totalitarianism regime.

 “To me, that seemed like an arbitrary branding of a collection of countries that were not necessarily intertwined,” Jones said.

His curiosity and research on North Korea eventually turned into a 100,000-word fictional account, telling the tale of two teenage North Korean orphan girls who get caught up in a human trafficking scheme. However, Jones said that isn’t the most important aspect of the book.

“It was more about the human experience for me than the specifics of North Korean culture,” Jones explained. “It’s more about how the reader can have empathy for what these girls are going through.”

“There’s a magnificent redemption at the end,” concluded his wife, Michi Holley. “And it’s really about the tenacity of survival.”

The Art of Getting Published

Jones began writing the book in February 2009, finishing nine months later. Ordinarily, the book industry “moves at a glacial pace,” according to Jones. He talked to countless numbers of literary agents, only be denied with the “default answer in the publishing industry: ‘no.’”

Then the couple’s friend, “The Color Purple” author Alice Walker, stepped in. Jones said she read his book and helped him find a book agent, which then led to a deal with publishing company Algonquin Books.

Algonquin, an independent company based out of Chapel Hill, N.C., releases about 25 books per year. One of their latest books, “Water for Elephants,” has sold over four million copies and has been made into a major motion picture.

Since 2009, the novel has gone through several editors and drafts – Jones said he just finished the final draft last week. All in all, it will be about a three year process.

“That’s lightning speed for the publishing world,” Holley said.

Finding Home on Molokai
Originally from Bellevue, Idaho, Jones moved to Maui over 13 years ago. He met Holley on Maui, and nine years ago, they moved to a solar-powered house nestled in a lush, green forest on Molokai’s east end.

“I’d say Molokai supported me in writing this book,” Jones said. “This place is very quiet, tranquil, and peaceful.”

Before being compelled to write a book, Jones worked as a freelance metals artist, shaping copper, brass and steel into gates and fountains, while Holley runs Molokai Acupuncture and Massage. When the economy took a plunge in 2009, Jones dove into his literary dreams.

“I’d known I wanted to write for several years, but it took a few years to really get the confidence to feel like it was time to start,” he said.  

The Road to Success
Jones’ friend, Greg Kahn, was flattered when Jones asked him to read “All Woman and Spring Time” after he completed the first draft.

Kahn, who is a board member of the Friends of Molokai Public Library and a former international film professor at San Diego State University, said that he is proud of his friend for being able to publish a book.

“There are unique characters that you couldn’t find in contemporary fiction,” in Jones’s book, Kahn said. “You don’t come across this kind of story at all.”

Ever since Walker told him that she “loved it,” Jones has been a roller coaster of excitement.

“It was an ecstatic moment,” he said. “First of all, to have someone with that kind of discerning eye even to agree to read the work, and then to be impressed with it enough to pass it on, that right there was success to me.”

The unofficial release date for “All Woman and Spring Time” is set for May 2012.

Camp `Olelo Hawaii

Sunday, May 29th, 2011

Ka Honua Momona News Release

'Auhea 'oukou e nā makamaka o Moloka'i Nui a Hina. Eia 'o Ka Honua Momona e 'imi nei i nā 'ohana hoihoi i ka 'ōlelo a me ka lawai'a.  E mālama 'ia ana kekahi papahana lawai'a ma o ka 'ōlelo Hawai'i ma ka lā 26 o Iune a hiki i ka lā 2 o Iulai. 

Ka Honua Momona, in partnership with Hawaii Marine Program Conservation International, is pleased to offer a free Hawaiian language Lawai`a Ohana Camp to our Molokai ohana. The camp will teach the protocols and policies of pono fishing, and be held from Sunday evening, June 26 through Saturday evening, July 2. The program will be hosted at Ali'i fishpond with excursions to other areas of the island. Space is limited! Deadline for camp participants and positions is Friday, June 10.

Mama Mia

Wednesday, May 25th, 2011

Mama Mia

She ran her own successful restaurant. She starred on Bravo TV’s Top Chef reality cooking show. And six year ago, she came “home” to Molokai to share her talents.

Chef Mia Gaines-Alt’s home-style cooking has taken her a long way. While her passion for the culinary arts continues to grow, she says her journey is over – she’s on the Friendly Isle to stay.

“Soul food – that’s my thing,” she said.
 
“Reality” TV
Her cowboy hat and down-to-earth personality – and of course her skills in the kitchen – landed Gaines-Alt a spot on Season 2 of Top Chef in 2006. Her Bravo bio describes her as “whipping up some of the best comfort food this side of the Mississippi.”

It was her mother that got her on the show, she said, encouraging her to attend the open casting. Gaines-Alt said she had just catered a large event and showed up late for the interviews, covered in dirt and food, with a dusty cowboy hat on her head. She was surprised when she got a call back saying she had been selected for the show, which aired October 2006 to January 2007.

But despite the glamorous-sounding experience, the California native said being on the show is far from what it seems.

“It’s not like you just jump in your chef suit and cook,” she said. “You’re locked in a condo with 14 strangers.”

The 15 contestants weren’t allowed to read magazines, talk to family or watch TV for the three months during filming to ensure they had no access to recipes or outside cooking ideas.

“We couldn’t even go outside without a chaperone,” she remembered. “For fun, we’d bowl watermelons in the house” because that was all there was to do.

Long days on set while shooting the scenes – often 18 hours at a time – ironically left the chefs starving. “We had no time to cook for ourselves,” she explained. While they were there for a cooking challenge, “just getting ourselves up in the morning was the challenge.” 

As for being on “reality TV,” Gaines-Alt said it’s far from reality. The producers wanted drama. Most of the contestants, however, became good friends over the course of the show. But they were told, “‘you guys are being too nice to each other.’”

Despite the controversies, she said she was in it to have fun and maintain her integrity. And it was that integrity that drove her to withdraw during the eighth of 13 episodes. When she thought a more deserving chef was going to be eliminated by the judges, she voluntarily eliminated herself to keep her fellow contestant in the running.

While Gaines-Alt didn’t come out of the show on top or with any money to show for her efforts (“nobody gets a dime from the show except the winner”), Top Chef did lead her to Hawaii.

Coming “Home”
The final episode of Season 2 was shot in Kona, and Gaines-Alt was called back to participate. She said she spent most of her time cruising with the locals and making friends.

“Hawaii is where I need to be,” she thought.

When she found an opening for a chef at Hotel Molokai on a job board, she didn’t hesitate. With her mother, husband and three daughters in tow, she made the move to Molokai six years ago.

“Hotel wasn’t for me but it brought me home,” she said.

Gaines-Alt then worked as a chef at Paddlers Inn before settling down at Kualapu`u Cookhouse last October.

“We appreciate her creativity and her ability to work under pressure,” said Tina Price, owner of Cookhouse.

“I love it there,” Gaines-Alt added, describing the restaurant as a family.

Country Roots
Gaines-Alt’s restaurant and catering business in Oakdale, Calif., called Feed the People (“because that’s what we did!”), was the first black-owned business in the town in 100 years, according to Gaines-Alt’s mother, Wanda Ingram.

In Oakdale, known as the cowboy capital of the world, Feed the People’s barbeque comfort food was a big hit. Customers liked the business so much they’d sometimes help out after their meal.

“It was not uncommon to see a customer buss their own table then come back to the kitchen to wash their dishes,” said Gaines-Alt.

On Molokai, the chef dreams of one day opening her own restaurant again. In the meantime, she working on compiling a cookbook, featuring her own recipes as well as highlighting local dishes and those cooked on other Polynesian islands.

“These are recipes that have been passed down generation to generation,” she said.

Gaines-Alt wants to create more than just a book of cooking instructions – she also hopes to gather the stories of what makes the recipes special to those who cook them. Her home-style dishes celebrate her own heritage, and she hopes to do the same for the culinary legacy of Molokai ohana.

Molokai in Poetry

Wednesday, May 18th, 2011

Molokai in Poetry

Susan Gerard-Schelinski has been composing poetry for years, but never had her writing published. She had always wanted to print a collection for famlily and friends, so she decided to do it herself.

“Recently, a gal from Montreal stayed at our home and suggested a website called blurb.com that publishes books,” said Gerard-Schelinski. “It was perfect.”

Through the website, she printed a poetry book called “The Naked Heart.” It’s a collection of Gerard-Schelinski’s poems about Molokai, paired with photos she’s taken of the island.

Describing the book as “word sketches that sum up life on Molokai,” Gerard-Schelinski said her poetry touches on a variety of topics that anyone who has lived on the island could relate to.

She sells the books locally at Hotel Molokai on Friday nights and occasionally at the Saturday market in town. She said she’s already sold about half of the 40 books she had printed.

Gerard-Schelinski currently prices “The Naked Heart” at $20 – a price she admits is high, but is “the price of a 12-pack of beer.” She recommends blurb.com to anyone who wants to print their own book, but because it’s a costly option, she added that she is looking for another publisher so she can sell her book more cheaply.

Contact Gerard-Schelinski at 552-0176 if you would like to buy a copy of “The Naked Heart.” She said she would like to connect with anyone interested in starting a publishing group.

 

Questionable Claims
By Susan Gerard-Schelinski

I'm English, but I've never lived in England.
I'm a Scot who loves a Scottish aire.
My roots claim the Black Forest of Germany
And yet, I've never lived there.
When I hear a fiddle, a jig or a reel,
There's no doubt I'm Irish from head to each heel.
I'm French though I've never set one foot in France.
I've heard I'm part gypsy.  How I love to dance!
By name and by marriage, I'm Polish 'tis plain
Though, no drops of Polish blood run through each vein.
I was born in the U.S. of immigrant stock,
Then, lived in Hawaii.  Hawaiian I'm not.
But, one of my kids married into the koko.
That made me a "Tutu", a local gone loco.
My grandson's part Portugee, a fisherman too!
I guess if I stretch it, I'm Portuguese too!
One son married Chinese.  His kids are Pake
Another wed in Japan and celebrates with sake.
I've a great granddaughter from Taiwan
I've one from the Philippines.
Who knows to where our line will go with this next set of teens.
We've kids in Australia already, and know
We cannot control where our bloodline will flow.
Our language has somehow evolved into pidgin
No take one big brain or one fancy religion
To know if grandma and poppa had been "fridgus",
None of us kids could be now called "indigenous".
Danish, Norwegians, Russians and Swedes,
Fins and Popolos have all mixed their seeds,
Till we're all just a mish mash, mongrels and such,
As if the whole world, were one big rabbit hutch.
We're brothers and sisters of one common Father.
This "racism business" just don't hold much water!

Gig in the Garden

Wednesday, May 18th, 2011

Gig in the Garden

Haunting melodies of a single wooden flute drift into the indigo dusk, its song joined by a waterfall of piano notes. It was the first “concert in the garden” held at the newly-revitalized Mahana Nursery last Thursday night, featuring two world-renowned musicians.

“Their music… takes me into my heart,” said Teri Waros, organizer of the concert.

Pianist Peter Kater is a six-time Grammy Award nominee who’s composed music for over 100 TV shows and films and is also a recipient of the United Nations Environmental Leadership Award. He was joined by one of the world’s top Native American flutists, R. Carolos Nakai, who has collaborated with dozens of recording artists, including Keola Beamer. Together, they touched their Molokai listeners with their powerful music.

Waros first met Kater over 20 years ago, when he played at her mainland jazz club.

“He played piano like no one I had ever heard before,” she said. “I carried their music around the world with me – no, actually, it carried me,” she said of Kater’s albums.

The stunning outdoor venue at Mahana Nursery, recently restored by Nan Omstead and Dusty Dancy, drew a crowd of eager listeners. Many came before the concert started to enjoy ono pupus provided by Mahana.

“It’s a real treat to play outside with nature,” said Kater, who was visiting Molokai for the first time. He described the island as “the most unique, energetic place I’ve ever been to.”

The recital, part of a Hawaii tour with the mission to “awaken kindness,” featured music improvised on the spot by the duo.

“This is a unique concert – just for you,” Nakai told the audience.

With Kater on keyboard and Nakai using a variety of wooden flutes, a golden eagle bone and chillingly beautiful vocal additions, Native American melodies melded seamlessly with nature-inspired piano harmonies.

The concert was originally schedule to be a collaboration between Kater and Tibetan flutist Nawang Khechog. Nakai stepped in when Khechog unexpectedly had to undergo surgery for a blood clot in his brain last week.

Molokai Holokai Round Two

Monday, May 16th, 2011

Molokai Holokai Round Two

Every year, stand up paddle (SUP) races like the Battle of the Paddle in Honolulu and the Olukai on Maui attract hundreds of paddlers eager to vie against the sport’s most talented competitors in some of the best paddling conditions in the world.

Lucky for Molokai, local race directors have created what they say is a venue equal in quality to Hawaii’s best races. The second Molokai Holokai will take place on Saturday, May 28 at 1 p.m. Known as the Kamalo Run, the race begins at the old Kamalo Wharf and runs parallel to Molokai southern fringing reef, ending 8.5 miles later at Hotel Molokai.


“When the trade-winds are blowing, this particular course is extraordinarily fun,” said race co-director Todd Yamashita. “The wind whips you along at a good rate and there is a lot of wave riding. I don’t think people realize just how fast our south shore conditions really are.”

Clare Mawae, Molokai Holokai co-director, was introduced to SUP last year and has since been inspired to host the Makani Ikaika race series on Molokai. The Molokai Holokai will serve as the fifth and final race of that series. Mawae, who is also head of Youth in Motion, a non-profit water-sports club for island youth, recently returned from volunteering over the weekend at Battle of the Paddle.

“Everyone is doing standup here (in Honolulu). It made me want to come back to Molokai and strengthen our events,” Mawae said. “We don’t have state of the art equipment but if we can keep our kids excited, everything else will follow.”

“The Molokai Holokai is designed, first and foremost, as a competitive venue for our Molokai SUP community.” Yamashita added. “Many Molokai paddlers often lack resources to attend off-island race events, so this one if for them.”

Race Day Schedule:
           12-1 p.m. registration Kamalo Wharf (east Molokai near mile marker 10)
           1 p.m. All divisions beach start Kamalo Wharf
           3 p.m. Pupus, pa`ina and awards at Hotel Molokai – public is welcome
            Please go to www.Molokai.spruz.com for more info.

Hawaiian Language Lives On

Monday, May 16th, 2011

Hawaiian Language Lives On

`Olelo Hawaii filled the Molokai High School Hawaiian Immersion graduation ceremony, and dozens of lei rose to the noses of the graduates last Friday evening.

The ceremony was the culmination of five students’ knowledge of Hawaiian language and culture: Kekukuimawaenaokamokumaikekuahiwiakalaniikekai  Kaiama-Lenwai, Kealakai Alcon, Keakaokalani Kaiama, Ka`imiola Sagario and Kailana Eheu`ula Ritte-Camara.

Each graduate spoke in Hawaiian for about 10 minutes in front of an audience of 100 people at their garden at Molokai High School. The students also recited their “Oli Mo Okuahuhau,” or genealogical recitation.

language and culture thriving on Molokai,” he said.

Revisiting the Old Molokai

Monday, May 16th, 2011

Revisiting the Old Molokai

John Ka`imikaua was a renowned kumu hula who founded the annual Molokai Ka Hula Piko Festival that celebrates the birthplace of hula. He also created a documentary that highlights sustainable living and providing for Molokai community’s needs. The film screened last Friday evening at Coffees of Hawaii for this year’s 20th annual Ka Hula Piko celebration.

Ka`imikaua’s documentary, “A Mau A Mau: to continue forever” not only teaches traditional Molokai values and culture, but also proposes the idea that the old Molokai can be revitalized.

“I’ve known John and his halau for as long as I’ve been alive,” said Molokai resident Juanita Colon. “I think the video is a great introduction to what our culture represents.”

This year’s Ka Hula Piko theme “Aia na kai po`olo`olo`u o Molokai” – there are the turbulent waters of Molokai – is symbolic of interconnection of all things, and their dependence on one another. The saying describes a natural phenomenon that occurs off south shores of Molokai – the way the i`a swarms from the bottom of the ocean and bursting through the surface, creating the illusion the sea is boiling.

Pictured above/left/right, dancers of Moana’s hula halau swirl as Molokai celebrated Ka Hula Piko at the Mitchell Pauole Center last Saturday.

The Ups and Downs of Traditional Hawaiian Fishponds

Thursday, May 12th, 2011

The Ups and Downs of Traditional Hawaiian Fishponds

Community Contributed

By Walter Ritte

Up: Eight hundred years ago, traditional Hawaiian fishponds doubled the food capacity of the existing reefs, helping the ahupua`a system to feed hundreds of thousands of Hawaiians in a sustainable fashion.

Down: After Western contact in 1776, the Hawaiians, their culture, and fishponds use declined dramatically. By the 1980s, raising fish in the ponds was almost nonexistent – “highest and best use” was declared, and the ponds became marinas, parks, housing, navel facilities, harbors, bird sanctuaries, hotels and millionaire estates.

Up: In the 1990s Molokai led a state wide effort to protect and restore traditional Hawaiian fishponds. With the strong support of Sen. Dan Inouye and Gov. John Waihe`e, highest and best use was replaced with “traditional use” of these of these cultural treasures. In March of 2011, hundreds of fishpond operators and supporters from all islands came to Molokai to kuka kuka and organize themselves.

Down: A week later in March, the Japan tsunami hit many ponds in Hawaii including ones on the east end of Molokai. Some of the ponds were just recently restored, which required many years of hard work by strong young backs of our younger generation.

Up:
Three days later, on March 14, the walls of Keawanui fishpond were being restored after being totally destroyed. Some fifty volunteers have already put in valued restoration hours answering the kahea for kokua. Today the students of Ho`omana Hou School proudly harvested 34 pounds of oysters they placed in plastic baskets 10 months ago. It has been a very long time since aquaculture has been successful in Keawanui fishpond…we hope this small harvest will become a sustained “big ups” for traditional Hawaiian fishponds, and once again help bring food security to Hawaii.    

Library Gets More Native Hawaiian Books

Thursday, May 12th, 2011

HSPLS News Release

The Hawaii State Public Library System (HSPLS) has received a grant from Kamehameha Schools for academic support materials – just in time for their Summer Reading program.

The Kamehameha Schools Public Education Support Division awarded HSPLS a $25,000 grant for academic support materials in nine of our libraries, including Molokai Public Library.  The funds have been used to purchase library materials for students from preschool to age 20, at targeted branches located in communities with large Native Hawaiian populations.

Book topics include Hawaiian language, biographies, non-fiction, fiction, encyclopedias, dictionaries, atlases, mythology, folktales, and Pacific Island people and cultures.