Culture & Art

Homesteaders Camping Retreat

Sunday, June 19th, 2011

Homesteaders Camping Retreat

Community Contributed

Na `Opio O Molokai Hawaiian Homesteaders ame Na Auamo A Hina O Ke Au Hou want to mahalo Ahupua`a o Molokai, All Hawaiian Homestead Association, Ankala Phillipo, Friendly Isle United Funds, and all participants who participated in our Local Camping Retreat in Halawa on Feb. 25-27, 2011 which brought inspiration and motivation.

Our purpose is to create leaders for the future, understand the structure of DHHL, Sovereign Councils of the Hawaiian Homelands Assembly (SCHHA), Homestead Associations, our responsibility and roles, how important we are, build our own foundations and create our identity in culture, family and society. These topics will also be focused on during our July 28-31, 2011 Statewide Camping Retreat at Papohaku Beach Park.

We invite all Hawaiian Homesteaders 18-35 years old to join our State Opio Camping Retreat on July 28-31, 2011 at Papohaku Beach Park, starting at 12 noon. If you are interested in signing up please contact Suliana Aki (suliana@hawaii.edu), Sybil Lopez (lopezs808@gmail.com) or Kristi Dudoit (iamthekristi@gmail.com)

Na `Opio O Molokai Hawaiian Homesteaders

MoBettah the Band

Sunday, June 19th, 2011

MoBettah the Band

Known for their animated performances and versatile set lists, MoBettah the Band has been a Molokai entertainment favorite for years, giving everyone something to look forward to during their shows. As the first in a series of Q & A’s with Molokai’s many bands, the Dispatch sat down with band members Tania Manaba-Will, Lyndon Dela Cruz and Earl Gorton to get the scoops on MoBettah the Band. 

MD: Where does the band name come from?
MB: We were all sitting around talking story and after each idea dropped everyone would say “mobettah da kine, mobettah ummm, mobettah hou…” Lyndon was then like, let’s just go with MoBettah, the Band.

MD: How many times have you played “Mustang Sally”?
MB: Hundreds! It’s been a favorite since the days of the Pau Hana Inn. It was their last song played so since it is so loved by the community, we figured we have to play it! Tania: And I love it because I get to play the timbales.

Mobettah the Band includes Lyndon Dela Cruz (lead vocals, ukulele, timbales), Tania Manaba-Will (lead vocals, ukulele, timbales, tambourine), Danny Reyes (bass), Ekolu Kalama (acoustic guitar), Rick Schonely (guitar) and Earl Gorton (drums).

Open House for Kalaupapa Planning

Monday, June 13th, 2011

Open House for Kalaupapa Planning

Preserving, protecting and sharing Kalaupapa is a delicate process – a balance between government agencies, the settlement’s history of both Native Hawaiians and Hansen’s disease patients, and family members and tourists who want to learn all they can about Kalaupapa. The National Park Service (NPS) has been collecting mana`o and ideas from all spectrums for the Kalaupapa General Management Plan and draft Environmental Impact Statement (EIS).

The General Management Plan (GMP) process officially began in 2009 with several public scoping sessions. NPS staff planners then came up with four alternatives, incorporating four different ways the park could be managed for the next 15-20 years.

Last week, NPS held another public session, open house style at the Mitchell Pauole Center.  They presented four potential plans as they stand now, and asking for more opinion to ensure all opinions are heard.

“[We want] to really connect with the community, to make sure we’re not missing things along the way,” said Steve Prokop, NPS superintendent for Kalaupapa.

Everyone’s experience with Kalaupapa should be “hands on,” said Boogie Kahilihiwa, a patient living in Kalaupapa who attended the topside open house. Kahilihiwa said any plan should ensure the entire history of the peninsula is included. “[We’re] not the only ones telling the story, but [the visitor] is there [feeling it].”

,” he said.

Other comments included residents’ requests for more local access to the area, and more agricultural and cultural perpetuation. Karen Holt, executive director of the Molokai Community Service Council, suggested involving resource management from topside organizations.

“Kalaupapa will forever serve as a place of knowledge,” Waros added.

Moving Forward

Comments will continue to be taken until July 16, and NPS offers a variety of ways to get involved. The public can complete the electronic comment card at parkplanning.nps.gov/kala (the preferred method); email to KALA_GMP@nps.gov; send a letter to Superintendent Prokop (Kalaupapa National Historical Park, P.O. Box 2222, Kalaupapa, HI 96742); or call 567-6802 ex. 1103.

The GMP and draft EIS are due for public review eight months to a year from now, according to Prokop, and the final review will be done in 2013. NPS expects implantation of the approved plan and subsequent statements (EIS, Cultural Impact Statement, etc.) to begin in 2013.

How Cola Gave Molokai Clean Water

Thursday, June 9th, 2011

Community Contributed by Chik Hirayama

Singing Across Molokai

Wednesday, June 8th, 2011

Singing Across Molokai

Members of the Kanikapila Singers of Leeward Community College described Molokai as amazing, priceless, peaceful, beautiful and friendly. For their first tour of the Friendly Isle, the 16-member choir traveled to nearly every corner and sang for countless residents. Their program of classical as well as Hawaiian music was heard at the Saturday Farmer’s Market, several churches including Our Lady of Seven Sorrows and Molokai Baptist, and even private parties.

The choir had a particularly unique experience when they hiked down to Kalaupapa and across to St. Philomena Church to sing “Prayers of Kalaupapa,” with the composer of the song accompanying them.

“[Molokai] is what I remember Hawaii was like growing up,” said choir director Marilyn Liu Kim. “People here are givers, not takers.”

Their journey culminated at the Memorial Day celebrations at the Veterans Cemetery on May 30. Choir director Marilyn Liu Kim said the choir does a tour every Memorial Day.

“This is what there’s a need for; veterans are often a forgotten group,” Kim said, who is also a Professor of Voice at Leeward.

“It gives us a chance to give back to the veterans,” said singer Nathan Yoshii.

Releasing a Dream

Wednesday, June 1st, 2011

Releasing a Dream

Thanks to a bad economy, a well-respected friend in the book industry and his creative mind, Molokai resident Brandon Jones is on his way to becoming a published author. His first novel, “All Woman and Spring Time,” is on schedule to be printed in 2012.

His fictional book was inspired by former President George Bush’s 2002 State of the Union address, labeling Iran, Iraq and North Korea as “axis of evil.” Not knowing much about North Korea, he began exploring the secluded totalitarianism regime.

 “To me, that seemed like an arbitrary branding of a collection of countries that were not necessarily intertwined,” Jones said.

His curiosity and research on North Korea eventually turned into a 100,000-word fictional account, telling the tale of two teenage North Korean orphan girls who get caught up in a human trafficking scheme. However, Jones said that isn’t the most important aspect of the book.

“It was more about the human experience for me than the specifics of North Korean culture,” Jones explained. “It’s more about how the reader can have empathy for what these girls are going through.”

“There’s a magnificent redemption at the end,” concluded his wife, Michi Holley. “And it’s really about the tenacity of survival.”

The Art of Getting Published

Jones began writing the book in February 2009, finishing nine months later. Ordinarily, the book industry “moves at a glacial pace,” according to Jones. He talked to countless numbers of literary agents, only be denied with the “default answer in the publishing industry: ‘no.’”

Then the couple’s friend, “The Color Purple” author Alice Walker, stepped in. Jones said she read his book and helped him find a book agent, which then led to a deal with publishing company Algonquin Books.

Algonquin, an independent company based out of Chapel Hill, N.C., releases about 25 books per year. One of their latest books, “Water for Elephants,” has sold over four million copies and has been made into a major motion picture.

Since 2009, the novel has gone through several editors and drafts – Jones said he just finished the final draft last week. All in all, it will be about a three year process.

“That’s lightning speed for the publishing world,” Holley said.

Finding Home on Molokai
Originally from Bellevue, Idaho, Jones moved to Maui over 13 years ago. He met Holley on Maui, and nine years ago, they moved to a solar-powered house nestled in a lush, green forest on Molokai’s east end.

“I’d say Molokai supported me in writing this book,” Jones said. “This place is very quiet, tranquil, and peaceful.”

Before being compelled to write a book, Jones worked as a freelance metals artist, shaping copper, brass and steel into gates and fountains, while Holley runs Molokai Acupuncture and Massage. When the economy took a plunge in 2009, Jones dove into his literary dreams.

“I’d known I wanted to write for several years, but it took a few years to really get the confidence to feel like it was time to start,” he said.  

The Road to Success
Jones’ friend, Greg Kahn, was flattered when Jones asked him to read “All Woman and Spring Time” after he completed the first draft.

Kahn, who is a board member of the Friends of Molokai Public Library and a former international film professor at San Diego State University, said that he is proud of his friend for being able to publish a book.

“There are unique characters that you couldn’t find in contemporary fiction,” in Jones’s book, Kahn said. “You don’t come across this kind of story at all.”

Ever since Walker told him that she “loved it,” Jones has been a roller coaster of excitement.

“It was an ecstatic moment,” he said. “First of all, to have someone with that kind of discerning eye even to agree to read the work, and then to be impressed with it enough to pass it on, that right there was success to me.”

The unofficial release date for “All Woman and Spring Time” is set for May 2012.

Camp `Olelo Hawaii

Sunday, May 29th, 2011

Ka Honua Momona News Release

'Auhea 'oukou e nā makamaka o Moloka'i Nui a Hina. Eia 'o Ka Honua Momona e 'imi nei i nā 'ohana hoihoi i ka 'ōlelo a me ka lawai'a.  E mālama 'ia ana kekahi papahana lawai'a ma o ka 'ōlelo Hawai'i ma ka lā 26 o Iune a hiki i ka lā 2 o Iulai. 

Ka Honua Momona, in partnership with Hawaii Marine Program Conservation International, is pleased to offer a free Hawaiian language Lawai`a Ohana Camp to our Molokai ohana. The camp will teach the protocols and policies of pono fishing, and be held from Sunday evening, June 26 through Saturday evening, July 2. The program will be hosted at Ali'i fishpond with excursions to other areas of the island. Space is limited! Deadline for camp participants and positions is Friday, June 10.

Mama Mia

Wednesday, May 25th, 2011

Mama Mia

She ran her own successful restaurant. She starred on Bravo TV’s Top Chef reality cooking show. And six year ago, she came “home” to Molokai to share her talents.

Chef Mia Gaines-Alt’s home-style cooking has taken her a long way. While her passion for the culinary arts continues to grow, she says her journey is over – she’s on the Friendly Isle to stay.

“Soul food – that’s my thing,” she said.
 
“Reality” TV
Her cowboy hat and down-to-earth personality – and of course her skills in the kitchen – landed Gaines-Alt a spot on Season 2 of Top Chef in 2006. Her Bravo bio describes her as “whipping up some of the best comfort food this side of the Mississippi.”

It was her mother that got her on the show, she said, encouraging her to attend the open casting. Gaines-Alt said she had just catered a large event and showed up late for the interviews, covered in dirt and food, with a dusty cowboy hat on her head. She was surprised when she got a call back saying she had been selected for the show, which aired October 2006 to January 2007.

But despite the glamorous-sounding experience, the California native said being on the show is far from what it seems.

“It’s not like you just jump in your chef suit and cook,” she said. “You’re locked in a condo with 14 strangers.”

The 15 contestants weren’t allowed to read magazines, talk to family or watch TV for the three months during filming to ensure they had no access to recipes or outside cooking ideas.

“We couldn’t even go outside without a chaperone,” she remembered. “For fun, we’d bowl watermelons in the house” because that was all there was to do.

Long days on set while shooting the scenes – often 18 hours at a time – ironically left the chefs starving. “We had no time to cook for ourselves,” she explained. While they were there for a cooking challenge, “just getting ourselves up in the morning was the challenge.” 

As for being on “reality TV,” Gaines-Alt said it’s far from reality. The producers wanted drama. Most of the contestants, however, became good friends over the course of the show. But they were told, “‘you guys are being too nice to each other.’”

Despite the controversies, she said she was in it to have fun and maintain her integrity. And it was that integrity that drove her to withdraw during the eighth of 13 episodes. When she thought a more deserving chef was going to be eliminated by the judges, she voluntarily eliminated herself to keep her fellow contestant in the running.

While Gaines-Alt didn’t come out of the show on top or with any money to show for her efforts (“nobody gets a dime from the show except the winner”), Top Chef did lead her to Hawaii.

Coming “Home”
The final episode of Season 2 was shot in Kona, and Gaines-Alt was called back to participate. She said she spent most of her time cruising with the locals and making friends.

“Hawaii is where I need to be,” she thought.

When she found an opening for a chef at Hotel Molokai on a job board, she didn’t hesitate. With her mother, husband and three daughters in tow, she made the move to Molokai six years ago.

“Hotel wasn’t for me but it brought me home,” she said.

Gaines-Alt then worked as a chef at Paddlers Inn before settling down at Kualapu`u Cookhouse last October.

“We appreciate her creativity and her ability to work under pressure,” said Tina Price, owner of Cookhouse.

“I love it there,” Gaines-Alt added, describing the restaurant as a family.

Country Roots
Gaines-Alt’s restaurant and catering business in Oakdale, Calif., called Feed the People (“because that’s what we did!”), was the first black-owned business in the town in 100 years, according to Gaines-Alt’s mother, Wanda Ingram.

In Oakdale, known as the cowboy capital of the world, Feed the People’s barbeque comfort food was a big hit. Customers liked the business so much they’d sometimes help out after their meal.

“It was not uncommon to see a customer buss their own table then come back to the kitchen to wash their dishes,” said Gaines-Alt.

On Molokai, the chef dreams of one day opening her own restaurant again. In the meantime, she working on compiling a cookbook, featuring her own recipes as well as highlighting local dishes and those cooked on other Polynesian islands.

“These are recipes that have been passed down generation to generation,” she said.

Gaines-Alt wants to create more than just a book of cooking instructions – she also hopes to gather the stories of what makes the recipes special to those who cook them. Her home-style dishes celebrate her own heritage, and she hopes to do the same for the culinary legacy of Molokai ohana.

Molokai in Poetry

Wednesday, May 18th, 2011

Molokai in Poetry

Susan Gerard-Schelinski has been composing poetry for years, but never had her writing published. She had always wanted to print a collection for famlily and friends, so she decided to do it herself.

“Recently, a gal from Montreal stayed at our home and suggested a website called blurb.com that publishes books,” said Gerard-Schelinski. “It was perfect.”

Through the website, she printed a poetry book called “The Naked Heart.” It’s a collection of Gerard-Schelinski’s poems about Molokai, paired with photos she’s taken of the island.

Describing the book as “word sketches that sum up life on Molokai,” Gerard-Schelinski said her poetry touches on a variety of topics that anyone who has lived on the island could relate to.

She sells the books locally at Hotel Molokai on Friday nights and occasionally at the Saturday market in town. She said she’s already sold about half of the 40 books she had printed.

Gerard-Schelinski currently prices “The Naked Heart” at $20 – a price she admits is high, but is “the price of a 12-pack of beer.” She recommends blurb.com to anyone who wants to print their own book, but because it’s a costly option, she added that she is looking for another publisher so she can sell her book more cheaply.

Contact Gerard-Schelinski at 552-0176 if you would like to buy a copy of “The Naked Heart.” She said she would like to connect with anyone interested in starting a publishing group.

 

Questionable Claims
By Susan Gerard-Schelinski

I'm English, but I've never lived in England.
I'm a Scot who loves a Scottish aire.
My roots claim the Black Forest of Germany
And yet, I've never lived there.
When I hear a fiddle, a jig or a reel,
There's no doubt I'm Irish from head to each heel.
I'm French though I've never set one foot in France.
I've heard I'm part gypsy.  How I love to dance!
By name and by marriage, I'm Polish 'tis plain
Though, no drops of Polish blood run through each vein.
I was born in the U.S. of immigrant stock,
Then, lived in Hawaii.  Hawaiian I'm not.
But, one of my kids married into the koko.
That made me a "Tutu", a local gone loco.
My grandson's part Portugee, a fisherman too!
I guess if I stretch it, I'm Portuguese too!
One son married Chinese.  His kids are Pake
Another wed in Japan and celebrates with sake.
I've a great granddaughter from Taiwan
I've one from the Philippines.
Who knows to where our line will go with this next set of teens.
We've kids in Australia already, and know
We cannot control where our bloodline will flow.
Our language has somehow evolved into pidgin
No take one big brain or one fancy religion
To know if grandma and poppa had been "fridgus",
None of us kids could be now called "indigenous".
Danish, Norwegians, Russians and Swedes,
Fins and Popolos have all mixed their seeds,
Till we're all just a mish mash, mongrels and such,
As if the whole world, were one big rabbit hutch.
We're brothers and sisters of one common Father.
This "racism business" just don't hold much water!

Gig in the Garden

Wednesday, May 18th, 2011

Gig in the Garden

Haunting melodies of a single wooden flute drift into the indigo dusk, its song joined by a waterfall of piano notes. It was the first “concert in the garden” held at the newly-revitalized Mahana Nursery last Thursday night, featuring two world-renowned musicians.

“Their music… takes me into my heart,” said Teri Waros, organizer of the concert.

Pianist Peter Kater is a six-time Grammy Award nominee who’s composed music for over 100 TV shows and films and is also a recipient of the United Nations Environmental Leadership Award. He was joined by one of the world’s top Native American flutists, R. Carolos Nakai, who has collaborated with dozens of recording artists, including Keola Beamer. Together, they touched their Molokai listeners with their powerful music.

Waros first met Kater over 20 years ago, when he played at her mainland jazz club.

“He played piano like no one I had ever heard before,” she said. “I carried their music around the world with me – no, actually, it carried me,” she said of Kater’s albums.

The stunning outdoor venue at Mahana Nursery, recently restored by Nan Omstead and Dusty Dancy, drew a crowd of eager listeners. Many came before the concert started to enjoy ono pupus provided by Mahana.

“It’s a real treat to play outside with nature,” said Kater, who was visiting Molokai for the first time. He described the island as “the most unique, energetic place I’ve ever been to.”

The recital, part of a Hawaii tour with the mission to “awaken kindness,” featured music improvised on the spot by the duo.

“This is a unique concert – just for you,” Nakai told the audience.

With Kater on keyboard and Nakai using a variety of wooden flutes, a golden eagle bone and chillingly beautiful vocal additions, Native American melodies melded seamlessly with nature-inspired piano harmonies.

The concert was originally schedule to be a collaboration between Kater and Tibetan flutist Nawang Khechog. Nakai stepped in when Khechog unexpectedly had to undergo surgery for a blood clot in his brain last week.