Culture & Art

Blazing the Trail

Monday, February 16th, 2009

Blazing the Trail

Ke `Aupuni Lokahi receives grant to plan Pala`au trails.

At the Pala`au Pavilion in Kalae, Bill Garnett outlines the Ala Pala`au project that would provide recreation, restoration and employment.

By Catherine Cluett

For Bill Garnett, much of the future is found in the past, and he lives that motto every day in his work with rare and native plant restoration on Molokai. This philosophy also led him to read through old Hawaii Tourism Authority (HTA) documents which pointed to historic trails in the Pala`au State Park region in Kalae.

Garnett’s peek into the past lead to a $90,000 grant to plan for uncovering and restoring those same Pala`au trails.  The goal is multi-faceted -- restoring native forests and rare species, providing cultural interpretation of these resources and presenting a new area of recreation as well as employment.

The HTA awarded the grant to Ke `Aupuni Lokahi, Inc., (KAL) a non-profit organization for community improvement. The grant funds only the planning process, which will include gathering ideas from the community and completing the necessary environmental and cultural reports, permits, and analysis to facilitate implementation of the plan. Education and training in natural resource management, with an emphasis on youth stewardship of the land, is a key component of the project which is being called Ala Pala`au.

“This is the biggest grant they have ever given for a natural resources project,” says Garnett, an employee of the University of Hawaii who oversees the planting of rare and endangered plants in Kalaupapa and around the island.

Garnett expects the planning process to take about a year. It will involve not only comprehensive preparation for every aspect of the project, but also completion of a botanical survey of the area.

The project will provide new recreation, restoration and employment, according to Meredith Speicher, a planner with the National Park Service (NPS).

The NPS in Kalaupapa has also volunteered their staff to match the funds in labor for the project. Guy Hughes, NPS Natural Resources Division Chief, says Park Superintendent Steve Prokop hopes the topside trails and lookouts over Kalaupapa will be a way for people to experience the peninsula even if they are not able to make the trek down.

One bordering landowner expressed concern that once they open their doors to this project, it would take on a life of its own. “What guarantee do we have that this will not turn into something more in the future?”

In short, there is no guarantee, according to Hughes. But Stacy Crivello, a KAL board member, is quick to point out that communication is integral to the project’s success, and nothing will happen without landowner’s cooperation.

Lori Buchanan, member of the Molokai Planning Commission and the Molokai Invasive Species Committee, added that the project would need protection against potential liability. “Who is responsible if a tourist falls on the trail?” she asks. “What agency will be held accountable?”

No one has all the answers yet. Garnett points out that part of the project’s purpose is job creation and training, and that hopefully Molokai residents will take responsibility for tasks like trail maintenance. “But we have $90,000 to plan this, so we better be able to answer all these questions,” he says.

Garnett hopes to work with local nurseries to supply native plants for the area, and schools to involve youth in the work.

Another challenge the project currently faces is a lack of clarity of land ownership and property lines. The Department of Hawaiian Homelands owns the majority of the land earmarked for the project, and several divisions within the State of Hawaii as well as the National Park Service lease portions of it. Defining the boundaries between these parcels will be a large part of the planning process, says Garnett. 

Ke Aupuni Lokahi is a non-profit organization established to administer the Enterprise Community (EC) Grant awarded to the Molokai community in 1998 by the United States Department of Agriculture. That grant sunsetted in December 2008, according to Benny Venenciano, Administrator of KAL. 

While KAL’s EC status is over, the work it does in the community is not, and Venenciano says the organization is continuing to offer support to the projects it began, many of which now stand on their own feet. These include the Molokai Land Trust for open space conservation, the Molokai Community Health Center, and the Molokai Community Development Corporation, which provides affordable housing.

The first public meeting for the Ala Pala`au Trails project will be held in mid-March. Look for the specific date and time in the Dispatch calendar.

Call Ke `Aupuni Lokahi at 553-8188 for more information or if you would like to volunteer in the planning of the project.

Hawaiian Blossom

Monday, February 9th, 2009

Singer Raiatea Helm and her boyfriend, Guy Sibilla, met Barack and Michelle Obama at a fundraiser at the Kahala Mandarin back in August.

Here’s what she had to say about the encounter: “Meeting Obama was quite an honor.  Just being in his presence had to have been one of the most powerful feelings ever.  He is a very charismatic and articulate man”

She recounted one particularly funny moment from the evening:
 “We all thought about singing a song for Obama…We decided to sing "Hawaii Aloha,” not even less than a minute in to the song, we hear him coming from the back of the room saying, "Hey, I know that song."  Then he started to sing a long with us and took some photos.  It was really fun.”

Raiatea Helm also performed at the Hawaii State Ball for Obama’s inauguration.  Don’t forget to catch her performance on Molokai on March 13 at the Hotel Molokai.

Makahiki

Thursday, February 5th, 2009

like this,” says Kanu O Ka `Aina Principal Ku Kahakalau. “We come to perpetuate the culture,” explains Kai Marshall, a student at the school. “It’s always been a great thing. The whole school gets into it. We choose our best to come over.”

For Ilima Ho-Lastimosa of God’s Country Waimanalo, there’s no place like Molokai. “It’s more traditional and meaningful here. In Honolulu, it’s just going through the motions,” she says.

Makahiki 2009

Wednesday, February 4th, 2009

By Kanoe Davis

Lonoikamakahiki! Lonoikamakahiki! Lonoikamakahiki! These are the words that are shared amongst individuals who celebrate the Lono season where the rise of the Makali'i star marks the time to honor an Akua who brings life and peace to the 'aina.

For many, Makahiki never ends. Harvesting and cultivating food is a year round responsibility for many farmers and for many it’s a lifestyle not brought by any season.

What makes this time of the year significant is that it was kapu to make war which allowed people a time to appreciate and take care of what they had so that they could replenish what they were missing. It was also a time of celebration when the ruling chiefs showed their aloha to Lono by offering their best vegetation and gifts from their ahupua'a. In return they asked for the rains of Lono to nurture their gardens and to strengthen their relationship with the land.

Some of the kinolau, or body forms of Lono can be seen as kukui, kumu, `aweoweo, black pig, certain kalo and niu, laua`e, `a`ali`i, and other varieties of lau.

Now that the makahiki season has come to an end, Molokai celebrates with an opening and closing ceremony that is shared by many of the children and community members of Molokai as well as those from the outer islands including O'ahu, Kaua'i, and the Big Island.

Aside from the protocols held by Makahiki coordinators, many practitioners here still honor Lono through ceremony and pay respect for their ahupua`a. Each land section had a significant site or ahupua`a that bordered or marked their `aina. It is at this place that Lono visits and where those of the ahupua`a give their ho`okupu.

An akualoa or image of Lono is held up high and walked alongside the land; upon his passing, games are played amongst the people and it is a great time to sharpen skills, to compete and to find the strongest competitor within the ahupua`a. If war was about, there would be no time to play or hone one’s skills making this season very important to the ali`i.

As we enter the season of Ku where the production and the outcomes are reflections of the Lono season, I share with you my mana`o. If I have offended anyone that is not my intention. Mahalo for allowing me to share and until the next rise of the Makali`i, LONOIKAMAKAHIKI!

Taking the Wheel

Wednesday, February 4th, 2009

General Management Plan for Kalaupapa is on the move

By Catherine Cluett

Kalaupapa is at a crossroads, and Molokai residents have the opportunity to decide which route it takes. “The National Park Service is guiding the process but not determining it,” explains General Management Plan Project Manager Anna Tamura. That’s up to community members.

The General Management Plan is viewed as a guiding blueprint for the National Park Service to follow in the coming 20 years. The first of its kind for Kalaupapa, the plan will include two phases – a short term plan while the patients are still living, and long-term vision for what Kalaupapa will be like after patients are no longer present, according to Steve Prokop, National Park Superintendent for the peninsula.

Sediment Breeds Sentiment

Monday, January 26th, 2009

Molokai residents have renewed interest in preservation of natural resource.
By Sean Aronson

is feral ungulates,” says Brown. In plain English, that means the goats, pigs and deer that populate much of Molokai’s open land. Their actions create erosion, which in turn speeds up the process of sediment reaching the reef.

While it is true that increased flow in the harbor would result from the culverts, according to Brown, that sediment would need somewhere to go.

“Just because the sediment is no longer on the reef,” says Brown, “there’s still no guarantee it will leave the area.”

Again, Brown emphasized the main problem as soil from the land blowing onto the reef.

Brown says it is instructive to look at Lahaina in comparison with Kaunakakai. The reefs in both areas were severely impacted by Hurricane Iniki in 1992, but Lahaina’s reef has recovered much quicker.

That’s because Lahaina stopped major sugarcane growing in 1998, which allowed for increased erosion control, says Brown. On Molokai, erosion is getting worse, not better, says Brown -- meaning more sediment on the reef.

For Jerry Johnson, even if culverts in the wharf are only a short term solution, at least it’s a start. And he says the Army Corps report is reason enough to make something happen.

In 2001 analysis, the Army Corps created a model of the Kaunakakai Harbor to test whether culverts would improve the flow of water in the area, thus creating less stress on the reef. The results were mixed. Under certain conditions, wave heights and tides, there was a perceptible reduction in the amount of particulate matter in the harbor area. But it also concluded that the sediment was just as likely to be held up in the harbor if conditions were not just right.

Still, Johnson would like to see money from the Federal government go to the wharf improvements. He says there is money set aside for habitat improvements and the culvert project would no doubt qualify.

For now, residents will continue to brainstorm and push for action on the reef -- with or without government support.

Noho Hewa: Wrongful Occupation

Monday, January 26th, 2009

A film for the Hawaiian people.

By Catherine Cluett

As Hawaii prepares to celebrate its 50th year of statehood, a film that portrays militarism, sovereignty, and the loss of native Hawaiian culture comes at a particularly poignant moment for Hawaiians. Winner of the Hawaii International Film Festival’s 2008 Halekulani Golden Orchid Award for Best Documentary, Keala Kelly’s film “Noho Hewa, The Wrongful Occupation of Hawaii,” has an important message.

“If you really love this place, you need to watch this film,” says Molokai resident Hanohano Naehu of the 73 minute film.

Kelly and her film came to Molokai several weeks ago on a tour throughout the state. Since its success at the Hawaii Film Festival in October, Kelly says she has received over 30 requests for screenings. “It took on a life of its own in the community,” she says. Kelly is also raising money for the completion of the film.

Uncle Benny Featured in Oil

Friday, January 23rd, 2009

Uncle Benny Featured in OilMolokai Artist Honored at the Schaefer Portrait Challenge
By Siri Anderson


Molokai was well represented at the Maui Arts and Cultural Center’s signature exhibit, the Schaefer Portrait Challenge 2009.  Moloka’i artist, Stephen Garnin, was recently honored to have two portraits accepted for this prestigious statewide exhibition.  Jurors, including prominent and distinguished artists and academics Maile Andrade, David Behlke, Kimberlin Blackburn and Wayne Miyamoto, culled through hundreds of works of art to select fifty six portraits that represent a focus on “what really matters-the people in our lives: our family, friends, community”.

Steve’s portrayal of Benny Deluna captures the spirit and essence of a favorite son of Moloka’i.  Benny is vividly rendered in two different poses.  “Uncle Benny” features him with familiar ukulele in hand, intensely concentrating on making music, giving our Molokai community and friends much joy and laughter.  The other portrait shows Benny expressing aloha with his characteristic “shaka sign” in the cab of his truck.  It captures our interest because of the sophisticated geometric composition framing Benny.
    
The artist says “Uncle Benny Deluna is the embodiment of the Moloka’i character and lifestyle, and a personification of the aloha spirit.  His ukulele comes out, as if by magic, his voice ringing with homespun local animation and sincerity.  When I asked Benny to pose, his reaction was one of humility and surprise.  He has been incredulous throughout…which says much about him.  I am proud to have the opportunity to paint his portrait.”

Steve moved to Moloka’i to create art. He is a self taught artist now making art his life’s work. Specializing in both painting and wood carving, he recently completed a full sized canoe crafted from a local mango tree.  His “magical study” of woodcarver Bill Kapuni was exhibited during the last Schaefer Portrait Challenge in 2006.  

During our challenging economic times, it’s inspiring and encouraging to see artists recognized and celebrated through the Schaefer Portrait Challenge.  During the recognition assembly held on January 4, Maui artist Rich Hevner, received the Jurors’ Choice Award, with a cash prize of $15,000, the largest cash award in Hawaii art history.  The Marian Freeman People’s Choice Award, with a cash prize of $5,000., will be presented at the end of the exhibition.  Portraiture evokes a glimpse into the heart of someone-of the individual as seen through the artist’s eyes.  Beyond technical excellence, the competition required that the portrait convey the essence of the subject.

Both the artist and subject traveled to the Maui Arts and Cultural Center to be recognized and honored at the January 4th reception.

The exhibit will be on display from January 6 through February 22 at the Schaefer International Gallery.  Later this spring it will travel to The Contemporary Museum’s First Hawaiian Center in Honolulu where it will be shown from May 29 through September 8.

Ku i Ka Pono

Friday, January 23rd, 2009

 Thousands march to protect Hawaiian Lands

Marking the 116th anniversary of the illegal over throw of the Hawaiian kingdom, a parade of several thousand participants wearing red shirts made their way down Kalakaua Avenue in Honolulu last Saturday.  Carrying signs and bearing Hawaiian flags, a clear statement was made in what appears to be a unified front that “Native Hawaiians do no support Governor Lingle's decision to appeal the Hawai'i Supreme Court ruling which prohibits the state from transferring or selling ceded lands pending unresolved claims by Native Hawaiians”.

The issue of ceded lands is no doubt complex but at the very heart of the issue lies the question of the very legitimacy of ceded lands. According to American law, lands can only be ceded or “cessed” from one country to another by treaty of annexation. Keeping in mind that Hawaii was an independent sovereign nation at the time, Hawaii would have had to agree to such a treaty, of which no record exists.

As history would reveal, following two failed attempts of annexation, the US finally occupied Hawaii, out of what it felt was necessity, during the Spanish American war. According to American military law and laws established by the Geneva conference, occupation by a foreign country does not give the occupier the right to cede what were referred to at that time in Hawaii as “Government” or “Crown” Lands. A modern day example of the application of these laws is the American occupation in Iraq which in no way allows the US to deny the sovereignty of Iraq or allow for the cession or transfer of Iraq government lands.  

Both the territory of Hawaii and State of Hawaii went on to assume the original legitimacy of the cession of these lands, an issue which is being seriously challenged in our current time. Further giving credit to the challenges being made by Native Hawaiians is the 1993 Apology Resolution which recognizes that Native Hawaiians have unrelinquished claims to ceded lands.

Governor  Lingle has stated that her administration will not drop the U.S. Supreme Court appeal, claiming that the state does possess the legal claim to these ceded lands and that the state recognizes  the ceded lands to belong to all of the people of the state, not just Native Hawaiians.

Lingle noted that it was Gov. John Waihee, a native Hawaiian, who wanted to sell the former monarchy lands as part of an affordable housing development and that the proposed sale by Gov. Waihee is what finally led to the lawsuit that is now before the U.S. Supreme Court.

Saturday’s event entitled Ku I Ka Pono (Stand for righteousness) included food, good music and Hula performed by several halau, honoring the events of the past and in honor of Queen Lili’uokalani. Also present were several key speakers including OHA Chair Haunani Apoliona, Representative Mele Carrol, Senator Clayton Hee and Molokai’s Walter Ritte as well as many other speakers of diverse backgrounds, all resounding this message in unison.

Senator Hee made a point of reminding the participants that unless people stepped out and let their voice be heard, this action being pursued by Governor Lingle would ultimately lead to the state’s ability to sell over one million acres of what are being referred to as “Ceded Lands” and that these sales could take place without resolving Native Hawaiian claims.

One sign carried by a protester read "This ain't Lingle Land." On a somewhat humorous note and imitating a recent event in the Middle East, demonstrators threw rubber slippers at a large

Paka`a’s Potato Fields

Sunday, January 18th, 2009

In the previous episode of the Paka`a legend, we learned about Paka`a’s time on the west end of Molokai and the origin of several of the place names there.  But, with a typo, a mistake was made. It should have been I`oli as the apana and hilltop, not Ilio.  
 
Different authors provide a diverse perspective of Paka`a.  Most present Paka`a as a man ousted from political power who goes into exile to save his life.  However, Samuel Kamakau’s view is less flattering.  He says that Paka`a deserts Keawenuiaumi, his lord, which creates trouble.   Yet, Kamakau still acknowledges Paka`a as one of the ali`i’s favorites, which is why he sets out to look for Paka`a.  
 
Kamakau’s version tells us that Keawenuiaumi’s people had heard of a man at Kalua Koi who might be Paka`a.  In addition, Paka`a gets word that Keawenuiaumi is seeking him. It is afterward that Paka`a and Keawenuiaumi dream of each other. Then they begin their respective preparations for a future meeting.