Hawaiian Culture

Hawaiian culture stories from Molokai

Honoring Hokule`a Master

Friday, August 13th, 2010

Honoring Hokule`a Master

A 12-member crew from Hawaii and abroad is sailing to all the islands during August and September to honor one of its own – Mau Piailug.

Piailug began working with the Polynesian Voyaging Society in 1975, after years of learning navigation in his native Micronesia. He navigated the double-hulled canoe, Hokule`a, in its maiden voyage from Hawaii to Tahiti in 1976. The crew is currently sailing the original Hokule`a on its honor voyage.

Known as a master navigator and mentor of many by bringing back traditional Polynesian sailing techniques, it was sad news when he passed away on July 12, 2010, at age 78.

OHA Asks for Mana`o

Thursday, August 12th, 2010

Office of Hawaiian Affairs News Release

Native Hawaiians on Molokai will have an opportunity to meet with the administration of the Office of Hawaiian Affairs (OHA) at an upcoming community meeting. This will be a chance for residents to share their mana`o with the agency and learn about OHA’s involvement in their community. The public is invited to attend. The OHA meetings on Molokai will be held on:

There will be a community meeting on Wednesday, Aug. 18, at 6:30 p.m. at Kulana `Oiwi Halau in Kalama`ula.

There will also be an OHA Board of Trustees Meeting Thursday, Aug. 19, at 9 a.m.

No Pest Zone

Sunday, August 8th, 2010

For years, the Molokai branch of the Maui Invasive Species Committee, otherwise known as MoMISC, has battled stubborn invasive species with science and technology. But when science just isn’t enough, Molokai’s environmental crusaders have begun using cultural might.

The eco-crew recently headed to privately owned forest acreage to expunge the area of albizia, a large and fast-growing tree that has begun dominating other island’s lowland forests. Before beginning removal of the pest, they sought the advice of the cultural caretaker of the site.

Molokai Kumu Honored by Senate

Monday, August 2nd, 2010

Molokai Kumu Honored by Senate

By Lisa Noelani Robbins

I am a student of `olelo Hawaii with Kumu Manuwai Peters. With the help of Senator J. Kalani English and his wonderful staff, I recently presented Kumu Peters with a Hawaiian Senate Proclamation for Manuwai's contribution and perpetuation of the Hawaiian culture and language.

“Kumu Manuwai Peters has enriched the lives of thousands of Hawaiians and Hawaiians at heart by sharing his knowledge and expertise in the Hawaiian language and culture. Among his many accomplishments, Kumu Peters has helped to preserve and spread the Hawaiian language to his many students throughout his teaching career. His various classrooms across Hawaii include Kap`olani Community College on Oahu [and] founding Ka Papahana Kaiapuni Hawaii immersion school on Molokai.”

He offers classes in New York City and Washington D.C. while earning his master’s degree at Columbia University. In my class were OHA Bureau Chief Tim Johnson; Kathy Suter, media manager of the National Museum of the American Indian; Kuulei Stockman and Leihua Stewart from Halau o Aulani and Kamehameha graduates, and Hawaiians like me and non-Hawaiians as well. Not only did he teach us the Hawaiian language, but he brought people together.

I enrolled in his class, not only for my personal enrichment and to teach my own keiki, but because I am owner of 'Ohana Arts Studio, Polynesian Dance Studio, and Kinderhula. I now teach my students `olelo Hawaii and pass on what Kumu Manuwai has taught me.

Kumu Peters' website is www.portablehawaiian.com

Kalaupapa Finding its Future

Thursday, July 22nd, 2010

Kalaupapa’s breathtaking sea cliffs, Hansen’s disease patients living and passed, and historic Damien structures are just a few of the many facets of the peninsula’s rich and poignant culture deserving of preservation. Over the next two years, a new general management plan will take form to ensure the history is remembered and the future well-planned. A draft plan and several alternatives are now being compiled for public review.

Last year, the National Park Service (NPS), which serves as the main steward of Kalaupapa, conducted public scoping on five different islands. Nearly 1,500 people sounded off on the future of Kalaupapa.

Musical Love

Monday, June 14th, 2010

Musical Love

Community Contributed

It was meant to be: a master of mele and kiho`alu and the songbird of Molokai. Keola’s voice is at the right place for the leo of Hawaii nei. In his hands, he has held love, guitars, family, friends, ancestors and now, cradled gently, the songbird of Molokai, Raiatea.

With their roots of Hawaiian music well established, they bring us this fine piece of music mastery, of love, kindness and hurt-less music. The path is clear: This is the way Hawaii should be represented to all. The heavenly light shines on both. The waters are flowing again. May we all have a drink? A taste of musical love.

We could not stop putting out the kahea about this work. The mana is here, folks, the mana is here. Generations to come will have this music to enjoy when they are away from Hawaii, family and friends. Peace is available here -- you and this music will endure.



Let’s go to the tracks. The first is “Ina” (Imagine), originally by John Lennon. This version features beautiful chanting – Lennon must be loving this piece. I hope Yoko hears it. Next is “Where I Hold You.” Keola’s guitar is signature and here comes Molokai’s Raiatea, so sweet. “Our Time for Letting Go” is about memories of lost love, family, friends and the change we all go through moving on. It’s very beautiful. Next is “You Somebody.” Raiatea, great job on this. We hope the world charts will highly consider this mele for awards. No, Raiatea, YOU somebody.

Next is “Hilo Hanakahi.” Our favorite rendition of this song was by Sunday Manoa, with Robert and Roland Cazimero and Peter Moon, for 30 years plus. Move on, big dogs -- the master and the songbird have arrived. On “I Kilohi Aku Au,” Raiatea leads all. Molokai, please stand up and be counted. She brings peace to our hearts and Kupuna smile with tears of love.

On the next track, “Ka Makani Ka’ili Aloha (Love Snatched by the Wind),” Raiatea brings back hints of the great Emma Veary. “Ke Kulu o ke Au” is a haunting nose flute number and Keola brings up the mele as though he was telling a secret for your ears only. “Ke Ali`i hulu mamo” features a nose flute intro with guitar and pahu, and Raiatea delivers the goods here.

The album ends with “Days of My Youth,” which is a Kui Lee masterpiece delivered now in Keola’s life and ours as well, and finally “Kimo Hula”. Again, Raiatea is haunting. Job well done. Simplicity is catchy, and what an ending to this great project. Our take: the Grammys are yours. Please bring it home to us here on Molokai and Hawaii nei. This is one for the top 10 CD rack at home.

Finally, a big send-off to my dear brother, Woody DeMello, whom I look up to. I love you so much. May you guide us from heaven.

And to my personal friend and colleague, Kris Hinsvark, who I had the pleasure of paddling with off the shores of Maui for five years who stayed at my side throughout my Maui recordings and Old Style series. You will be surely missed. I love you also.

Till next time, Ke Akua Pu A Hui Hou Kakou.

Great Expectations

Monday, June 14th, 2010

Great Expectations

Here on Molokai, the word tourism spurs images of sprawling resorts and brash tourists that crowd the beaches of Maui and Oahu. With the goal of attracting the right kind of visitor – those who think of themselves as guests, not just tourist – Molokai Visitors Association (MVA) has produced a video in partnership with local filmmaker Matt Yamashita.

"A Visitor’s Guide to Molokai: Hawaiian by Nature" is part marketing tool, part educational film, said MVA Director Julie Bicoy. She called the video, which came out last month, a “crash-course” in life on Molokai.

“The basic concept of it was to spend a day on Molokai and move with the sun,” she said. Featured stops include Halawa Valley, Pu`u O Hoku Ranch, fishponds on the east end, Kalaupapa and the west end beaches.

Along the way, Yamashita recounts ancient Molokai history, interviews local business owners and highlights annual events like Ka Hula Piko and the channel races from Hale O Lono to Oahu. The video’s sweeping landscapes – from the North Shore cliffs to the Kamakou Preserve -- will woo visitors and impress locals alike.

Local musician Lono provides most of the soundtrack and the DVD includes four music features with original songs about Molokai. Lono said he has worked with Yamashita before and was excited to help on this project. “I love Molokai -- that’s where I’m from!”

Yamashita, who wore three hats as writer, director and producer, said the video tries to market the island responsibly and protects what makes Molokai special – the environment, culture and small population.

“We loose any one of those things and the fabric of what makes Molokai Molokai falls apart,” he said.

Yamashita owns the production company Quazifilms and typically makes cultural and education films. “This is the first time I’ve really stepped over to the commercial side,” he said.

MVA approached him last year about making the video. Bicoy said MVA was looking for ways to target “the right market” of visitors. The video is now being distributed to travel agents to show clients what Molokai has to offer.

“It’s not a typical tourist destination -- it’s not a party place or somewhere to come and be pampered,” Yamashita said.

After previewing the video back in March, Yamashita heard from some that it was too “touristy.” In response, he dialed down the sales pitch and made it more of an education in Molokai.

“It was a real challenge because we had to walk that fine line,” he said.

To see a preview or purchase a copy of A Visitor’s Guide to Molokai, go to www.islandlifevideos.com. DVDs are also on sale at local stores including Molokai Drugs, Kalele Bookstore & Divine Expressions and Coffees of Hawaii.

 

Ruby in the Rough

Wednesday, May 26th, 2010

Ruby in the Rough

On Dec. 19, 2009, Ruby Villa-Nueva made a critical call that would reunite 10 family members to fulfill one purpose: to give back to the island of Molokai.

“It was a spiritual mission,” Villa-Nueva said of recently-opened Aunty Ruby’s Café on Ala Malama Avenue. “We all have a common interest in serving people. We wanted to use our different skills and bring back what was good.”

Eight of the 10 Villa brothers and sisters moved back to Molokai to pursue entrepreneurial endeavors, five of which moved back from Maui and Oahu within the last three months.

“I wasn’t going to [open a restaurant] if all 10 weren’t in,” added Villa-Nueva, co-owner of Aunty Ruby’s.

has definitely brought back the good food and feeling of the Mid Nite Inn,” Umi said. “It was family-run, too. I think people appreciate that.”

Even into the late evening hours, laughter beckons from the café doors, luring in passersby who long to join in on the celebration and consumption of delectable treats made by Royce Villa. His skills have landed him gigs all over the globe – especially for his wedding cake designs, which can be ordered through the café.

“I learned everything I know from my mom,” said Royce Villa, whose baking experience spans 15 years. “I also went to culinary school and traveled to many places where I’ve picked up on different techniques. I love making exquisite desserts with a bite.”

Within two months, the café plans to expand with a surprise addition – one that will utilize Royce’s baking talents.

Family Affair
The family connection with Ala Malama Avenue began long before Villa-Nueva became inspired to open a restaurant.

It was in 1975 that her grandparents, Julien and Louisa Torres, opened the Torres Thread Shop, occupying the same building as the café, but closed about five years later. Soon thereafter, Hop Inn, a classic Molokai eatery specializing in Chinese food, took over the building and gained local popularity throughout the heyday of pineapples. It closed some 20 years ago.

As fate would have it, the vacant rundown building, leased to the Villa `ohana by Union Leasing Corp, would become home to Aunty Ruby’s Café.

“The opportunity just opened up,” Villa-Nueva said. “It’s amazing, the timing, how it all came together.”

The Villas also have family ties with the Store House, a shop nestled alongside the café that offers wholesale goods, whose `ohana runs the establishment.

At Aunty Ruby’s, Umi said he hopes to blend all generations, leaving a Villa legacy.

“We have the first-generation mentors, but we have the second generation bringing in new, unique styles,” he said. “We want them to take their ideas and run with it.”

As for the recession that has seen the entire state littered with dead restaurants and vacant buildings? Umi said he hopes to see Aunty Ruby’s defy gravity by not only managing to survive the economic downturn, but by thriving.

“There is a recession all over but we choose not to be apart of it,” he added. “We want to bring healing to the community.”

Holding On To Hula

Monday, May 17th, 2010

Holding On To Hula

Na Kupuna O Moana’s hula halau seem to glow as they join in a celebration of hula at Ka Hula Piko last Saturday. In its 19th year, the festival was held at Mitchell Pauole Center for the first time, a switch from its traditional Papohaku Beach location.

One event organizer said Ka Hula Piko had not seen decreased attendance at its former location at Papohaku Beach but that organizers wanted to bring it to a bigger cross section of Molokai and not just the west end.

The late kumu hula John Kaimikaua founded the annual event in 1991. “The heartbeat of our culture is dance. It is the essence of ourselves. Every movement in the universe is in our dance,” wrote Ka`imikaua.

According to a mo`olelo from the eighth century, a wahine named La`ila`i is said to have given birth to hula at Ka`ana on the hill Pu`u Nana on Molokai’s west end.

This year’s Ka Hula Piko featured both local and guest halau performances, ono grinds and a wide selection of local artists selling their crafts. The theme of the festival was “Molokai Pule O`o,” an ancient epithet spoken in praise and fear of the powerful prayer of Molokai’s kahuna (priests). Ka Hula Piko 2010 was dedicated to Aunty Louise Malulani Bush, who passed away on Feb. 10.

Polynesian Ink

Wednesday, May 12th, 2010

Polynesian Ink

Tricia Allen sits with the books she’s authored spread before her, pen in hand. A lei po`o rests atop her salt and pepper hair, her fair-skinned face curving in a mild-mannered smile. A couple of tattoos peak out of her Hawaiian print shirt. But you’d never guess by looking at her that Allen is a tattooist and expert on Polynesian tattoo history and art.

“It’s a mark that identifies who you are and where you’ve been,” Allen says of tattoos.

A Kane`ohe resident, Allen visited Molokai last Saturday for a book signing at Kalele Bookstore in Kaunakakai. Her most recent book, “The Polynesian Tattoo Today,” is a compilation of 216 photos representing the work of 73 artists from around the globe. The event attracted a generous audience, from local tattoo artists to “tattoo virgins,” curious to find out more.

“I’ve wanted to meet this woman for 15 years,” said Teri Waros, owner of Kalele Bookstore and Divine Expressions.

Creative Process
While her last book, “Tattoo Traditions of Hawaii,” delves more into the history and context of tattoos in Hawaii, “The Polynesian Tattoo Today” has very little text – a sure hit on your coffee table. It beautifully highlights the artists’ work itself.

“Lots of people just want to share their art and not write about it,” she explains.

To create the book, Allen contacted many of the world’s most well-respected Polynesian tattooists she had met or heard of. She asked them to send photos of their work or contact their clients for photos. In some cases, she arranged photo shoots to capture the images. Out of 748 submissions, 216 images made the final cut. The product is a stunning presentation of the best Polynesian-style tattoos around the globe, from small pieces to art that covers much of the body. 

Allen has traveled the world studying Polynesian tattoo traditions, and combines her academic background with an organic and deeply cultural understanding of the art. She says the average time with a client before completing the tattoo is eight months. That time is spent getting to know her client and helping them design a tattoo that means something to them. Both body placement and the design itself influences the meaning of a Polynesian tattoo. Every symbol has meaning, though that meaning can be different for each individual, according to Allen.

Tattoos and Academia
Allen hasn’t always had a passion for tattoos. She was working at the Denver Art Museum, where there was a display featuring a full body tattoo.

“I used to walk by the display, thinking ‘why would anyone do that?’”

But Allen’s interest in tattoos grew – sparked, she says, by an interest in the cultural, historical and artistic aspect of Polynesian tattoo traditions. She went on to get her master’s degree in Anthropology from the University of Hawaii at Manoa, completing her master’s thesis on the early practice of tattooing in the Marquesas Islands.

She continued her studies, researching the revival tattooing in the Pacific Islands, including Samoa, Aotearoa, the Society Islands, the Marquesas, Rapa Nui and Hawaii. She trained to become a tattooist herself, and has now tattooed over 8,000 members of the Polynesian community.

“Now half my friends look like that guy in the case at the museum,” she laughs.

Learning the Art
Tattoos aren’t always pretty – sometimes they’re ugly, Allen admits. But they are a part of you, often marking important transitions in your life. She says the first time she held a tattoo machine, she was tattooing herself. The results weren’t necessarily pretty but proved a valuable part of her training.

She says she makes her apprentices learn the same way. One of the biggest challenges of tattooing, she explains, is using the right amount of pressure to hit certain depths of the skin tissue. The only way to learn what is too deep and what will fade is to observe that tattoo over a period of time. You can either do that by learning on yourself or learning on your dog, she laughs.

Allen has campaigned for hygienic practices around the world, and says she has seen a huge improvement in some areas. She has also worked to revise state statutes for tattoo licensing and testing for people to become a legal tattooists.

Allen talked with her audience about the challenges of tattooing, its history and revival in the Pacific Islands, its cultural and social implications today, and her own mana`o as a tattooist.

“I’m just a tool in this process – to find out what’s in your mind, put it on paper, and eventually on the skin,” Allen explained.

Allen’s books are available at Kalele Bookstore, Coffees of Hawaii, Molokai Public Library, on Allen’s website, www.thepolynesiantattoo.com, and other locations.