Author Archives:

Bill Kapuni frequently graced the waves with friends and iconic surfers the Aikau brothers. This photo was taken at Sunset Beach on Oahu in 1970.

With almost 100% Hawaiian blood, artist and Master Carver, Bill Kapuni’s ancestry and art created a lifetime of beautiful memories and accomplishments. A true Renaissance Man, Bill would take up many trades and travels before finding a final resting place on Molokai.

Bill passed away last Saturday in the company of his loved ones. This loss will be felt by many, but Bill Kapuni leaves behind a legacy of a life to be celebrated.

Kapuni has been referred to as a visionary and a legend. The body of his work ranged from carving canoes, e.g. Koa, Native American, and Hawaiian; ocean animals; and Hawaiian cultural art work which included awa bowls, pig boards, spears for hunting, Hawaiian sleds, tikis, story boards, surf boards, paddles, tuetes, pahu drums for halaus and Hawaiian ceremonial drums.

As a youngster, Bill remembered ‘messing around’ with wood and a pocket knife. He hung out with his uncles who were canoe carvers like John Kapuni in Hawaii and canoe carver Sioni Fu’utu who both inspired him to work in wood during his high school years. He continued to learn about Hawaiian canoes with the Hui Nalo Canoe Club and watched Mr. Bowman, from Kamehameha School, in canoe building workshops on Oahu.

Bill learned how to draw at Farrington High School and learned how to paint from Nolli Queen. Every chance he got, he drew something he saw or felt, always relating to Hawaiian culture particularly men in canoes and fishing with nets.

At 15, “Willie” began to surf with Eddie Aikau and brothers. Surfing is “part of my art because surfing is like an art you perform with your body.” For Bill, “surfing was like a dance with Kanaloa…your body in motion with the waves.” As a surfer and life guard on the North Shore, he carved surf boards and used them as canvases for painting surfers on the waves.

During this time, he also began carving paddles and paddling with Hui Nalo Canoe Club. At 18, he helped to win the six man race from Molokai to Oahu in the Koa Canoe Division.

In 1969 Bill left his beloved Hawaii and moved to the mainland where his interest in cars, hot rods, and trucks would join his love of art. It was then, in his backyard, he began his body painting business. He competed in shows winning numerous trophies and awards for his work and was a featured artist in several street rod and off-road-vehicle magazines.

While in Washington State he worked on and carved Native American canoes, eventually mastering the Indian art techniques and designs for wood carving.

In 1982, Bill discovered his health was deteriorating, and decided to move back to Molokai to heal. His grandmother, Lani Kapuni, lived there and he longed for the quiet old Hawaiian lifestyle.

On Molokai he delved into native culture and the ocean. Going to the backside of Molokai with visitors to the island, he began to reacquaint himself with Hawaiian woods like Milo and Koa and soon began carving these woods with ocean creatures he watched while diving as a certified Dive Master.

Kapuni made his first pahu drum in 1984. Upon hearing about Bill’s drum, Molokai pahu maker Bobbie English came over to Kapuni’s house and shared with him his knowledge of the drum. Since then Bill has carved many drums for numerous special events and organizations.

He has taught classes and workshops on drum making and other Hawaiian arts. His pieces are in many collectors homes throughout the world and locally in homes such as Murdock on Lanai and Abigail K. K. Kawananakoa on Oahu, in addition to many Hawaiian Hotels and Resorts.

As the Mo`olele voyaging canoe was being towed to the east side of Molokai to sail to Maui, Bill was invited to sail on it by Captain Kiola Secara and to work in the Hui O Va’a Kailua’s Pihilani 63-foot voyaging canoe. He was one of the original five; and for many years traveled across the Molokai channel to Maui for long weekends first by ferry, then by boat, and then by his jet ski to do wood work and all of the epoxy and painting work on the voyaging canoe.

Bill then built his own five-man canoe on Molokai and started building scale models of Hawaiian voyaging canoes. He worked on the Iosepa (voyaging canoe) at the Mormon Temple in Honolulu with Sioni Fu’utu; and in Maui worked on a six-man canoe with Ray Bumatay at the International Festival of Canoes.

In 1998 he entered a Koa piece in the Wood of Hawaii Na La`au O Hawaii in Honolulu and won the honor of First Place. More recently, one of his pahu drums was gifted to Sri Sri Ravi Shankar for the Art of Living Foundation peace celebration in Bangalore, India. “This drum is going to represent the Hawaiians. It’s a voice we pass on in energy. The Hawaiians have always used the pahu to communicate,” Bill said. In that single event, millions heard the communication of Hawaiian mana. John Kaimikaua used a Bill Kapuni Pahu drum for Hula Piko celebrations on Molokai.

Bill Kapuni’s Hawaiian cultural roots run deep, and his spirit is strong and overflowed into his art work. Each of his pieces has an extraordinary ‘mana’ for those who are able to connect with such energy. He honored his ancestors with his work.

Paddlers Inn owner Robert Spruiell, known on Molokai as Kamuela Kamakana, hoped to eventually call the Friendly Isle home.

Robert Spruiell, owner of Paddlers Inn in Kaunakakai, was found dead with stab wounds this past Saturday in Sunny Isles Beach, Florida during an altercation at the Golden Nugget Hotel. The incident left two other men injured.

According to a Paddlers spokesperson, an employee of Spruiell’s mainland magazine sales business had asked the owner for help confronting a suspected drug dealer. The spokesperson said Spruiell was stabbed along with other individuals.

On Molokai, Spruiell went by his family name, Kamuela Kamakana. And it is the Friendly Isle’s sense of family that led Spruiell to buy Paddlers Inn eight months ago.

“I really want it to be more like a family oriented place where families can enjoy their meals together,” said Spruiell in an interview this past January.

Five years ago, Spruiell was visiting Maui when he decided to catch the Molokai Ferry and see the island for the first time. He said he felt an emotional connection with Molokai and bought property after just one day of visiting.

“His own words were that he loved Molokai so much that he wanted to make Molokai his home,” said Paddlers Manager Alisha Montemayor. She added that his last wishes were for his ashes to be spread on-island.

Spruiell’s mother, Haunani Kamakana, is a Molokai girl, who lives in Washington State. He said he had planned to move her back to the island after getting himself settled.

Representatives from Kamuela Estates, Inc. have said business at Paddlers Inn to continue on as usual.

Award recognizes showcase of Native Hawaiian culture.

The Hawaii Tourism Authority (HTA), the state agency for tourism, is seeking to recognize individuals, organizations and businesses that honor and perpetuate the Hawaiian culture. Nominations for the 17th Annual Keep It Hawaii Recognition Awards will be accepted from May 19 through July 1.

The Keep It Hawaii Recognition Awards honor individuals, community organizations and businesses for: demonstrated commitment to honor and perpetuate the Hawaiian culture and community by strengthening the relationship between the visitor industry and the Hawaiian community; and creative and responsible efforts to showcase the Native Hawaiian culture.

Recipients of the Keep It Hawaii Recognition Awards will be announced at a ceremony on August 7, at the Hawaii Convention Center, as part of the HTA’s 2008 Hawaii Tourism Conference, Hawaii A Ma ‘? Aku – So Much More Hawaii.

Previous winners of the Keep It Hawaii Recognition Award include Molokai’s Pilipo Solatario, who received the award in 1995.

The program’s K?hili Awards will be selected in three categories (Individual, Organization and Business), for each island, and for the out-of-state category. One recipient may receive the Koa Award, which was created to recognize a long-term and exemplary commitment to perpetuating and preserving Hawaii’s host culture.

All nominations will be judged on the following criteria: authenticity, usage, uniqueness, educational value, longevity, and commitment to the future. HTA’s Hawaiian Cultural Program Advisory Council (HCPAC), a group of Native Hawaiian cultural practitioners and supporters, will review the nominations and select the awardees.

There is no charge to submit nominations or entries. Entries must be received in the HTA offices by 4:30 p.m. on July 1. Entries should be submitted to HTA, Hawaii Convention Center, Floor 1, 1801 Kal?kaua Avenue, Honolulu, Hawaii 96815.

For full details on the criteria, guidelines and the application process, visit the HTA Web site at www.hawaiitourismauthority.org, or contact program coordinator, Martin Schiller, at (808) 227-6002 or (808) 531-1800 or via email (mschiller@tsg-hawaii.com).